A Quote by Fiona Dourif
I think if a horror movie is really scary, you'll think about it for weeks, and there's something kind of fun about that - about our art, really.
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To know about the movie [jack the giant Slayer], wow. It's an adventure, there are so many special effects flying around. It's going to be really fun, definitely. I think there's something there for the whole family. There is something you can really enjoy, and I think it's going to be a really fun, family film. I'm really excited.
Obviously loss of family is huge and critical, but I think really it's more about losing a sense of family. The horror of that kind of incompleteness. Writing this book, I tried not to think about my father, which does no one any good fictionally. I did try to imagine not just the horror of that moment, but the horror of having witnessed it, and the lifelong void. And I think that's what's so frightening.
That's what happens in a good horror movie: there are always metaphors of greater subjects like humanity and empathy and compassion. It's not about the action and scary moments: You really care about these characters because they're mirrors of our own reflections.
I really enjoyed being on movie sets, and I had fun with the people, but I didn't really think about acting or care, or I didn't think I cared about acting.
Being a working mother is not easy, but I think it helps you choose what's important in your life. If I think about starting a new project - whether it be music, a movie or a fragrance - I always stop and think: Is this something I feel really passionate about? That way, if I'm not at home at least it's for something I really love, and my son can look up to that.
Just draw 'cause you love it, you know, I think that's why you should be doing it. You should always be doing art for the right reasons, um, and with the best intentions. Anything at all is completely possible and I think that's what I like about drawing. I think it's just really fun. You can do anything you want. And that's part of, like, what's really enjoyable about it... is kind of losing yourself in it.
I think crafting a new, effective horror movie is not just about when night falls and things get scary. It's about setting a tone and mood that permeates throughout the entire movie. So even during the daytime, things are never quite safe-feeling.
For one thing, I don't think art needs to be about suffering; sometimes it really seems like it's only the art about pain that is interpreted as profound, and in my work for years I've really tried to deal with subjects that are substantial, not just fluffy, but presented in a more playful, approachable kind of way.
You know, I think I knew you for about three weeks before I ever really saw you smile. And then one day, Morgan said something and you laughed, and I remember thinking it was really cool because it meant something. You're not the kind of person who smiles for nothing, Colie. I have to earn every one.
Ethan Hawke is not a horror movie fan, but he's a really good friend of mine, and I finally cajoled him into doing 'Sinister.' Later, he said one of the reasons he was really resistant to doing a horror movie is he thought it'd be really scary on set.
The movie I'm really excited about that I had really fun doing is 'Feed the Dog.' It's with Nat Wolff and Selena Gomez. It's really fun. It's raunchy, like 'Superbad' meets 'Risky Business,' kind of. I got to be a really fun character, an out-there Mrs. Robinson-type character. I get to seduce Nat.
A lot of people seem to think that art or photography is about the way things look, or the surface of things. That's not what it's about for me. It's really about relationships and feelings...it's really hard for me to do commercial work because people kind of want me to do a Nan Goldin. They don't understand that it's not about a style or a look or a setup. It's about emotional obsession and empathy.
I think a lot of people, when they think about the house, they think of the print. But when people think about Emilio Pucci, I want them to think about this really, really hot girl, so my biggest job is to give her a face and an identity - and I do that by trying to associate that kind of print that people have in their minds with a kind of girl who is free-spirited, rebellious, a little bit rock 'n' roll, and who has a lot of energy, who is up.
Somebody pointed out to me that there's no horror film on my resume, which is true, but I also don't really go see those movies. Although when I was thinking about it, I was thinking "I would probably have a really nice beach house if I made a horror movie." They seem to be very popular. I just don't think it's my thing.
I really love movie soundtracks and stuff like that. That's really a huge part of any movie. I actually think about... that this would be cool in a movie or something, like when I'm writing a song, or something you know?
Something I've come to really admire about Kyrie is that he's always computing out there - he's logging everything that happens, and since nobody can guard him, that's scary to think about.
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