A Quote by Fiona Shaw

Now I have begun to get interested in films and I just hope that people start becoming interested in me to do more films. — © Fiona Shaw
Now I have begun to get interested in films and I just hope that people start becoming interested in me to do more films.
I don't have any interest in doing superhero franchise movies. I don't connect to the fantastic and I'm not a comic person, it's just not my thing, so I'm not looking in that direction - but ambitious films on a big scale I'm very interested in looking at. I'm interested in reality, I'm interested in people, so it's just about finding a project I'm interested in.
Some filmmakers are more eclectic than others. I'm not one of those! I'm interested in what I'm interested in, which is films about the world, about what's going on. I started in TV documentaries with 'World in Action,' and those interests feed into the films I make now.
Well, I'm really interested in the idea of making genre films, but movies have a much more personal undercurrent to them and that look beautiful, and that's sort of the films I'm kind of interested in making.
I'm interested in seeing films that confront me with new things, with films that make me question myself, with films that help me to reflect on subjects that I hadn't thought about before, films that help me progress and advance.
I was not interested in films, but I was forced to act when I was just 14 or 15 years old. Now, I feel that that was not the right age to enter films. One should at least be 21 to enter the industry.
I'm not a cinephile. My films don't reference films. I'm more interested in rhythm and feeling.
As the years go by and I make more films, I am increasingly interested in capturing place as a vivid backdrop for my films.
I'm no longer interested in making political films. There's something old-fashioned about them. Young people now don't care for politics. It isn't present in life as it used to be. And increasingly I like films which reflect present-day reality.
I started getting interested in the craft and watching old movies, and they're the ones that reach out to me the most - films like 'Cool Hand Luke' and 'On the Waterfront.' So I start watching all of these, and I was getting educated, and I started being interested in this acting thing, if that's what they call it.
In the United States there's not a lot of people interested in foreign language films. Every time, it's more difficult for foreign language films to survive here.
You can close more business in two months by becoming interested in other people than you can in two years by trying to get people interested in you.
I do not make films which are prescriptive, and I do not make films that are conclusive. You do not walk out of my films with a clear feeling about what is right and wrong. They're ambivalent. You walk away with work to do. My films are a sort of investigation. They ask questions . . .. Sometimes I hear that some [Hollywood] studio is interested in me. Then they discover that this is the guy who works with no script, that there is no casting discussion, no interference, that I have the final cut, and that does it.
We try our best every time to make engaging films that we're interested in, and we just hope the rest of the world likes them.
I really started watching films when I was 14. As I became a teenager, there was nothing that really interested me apart from music, books and films.
I want my films to do the talking. I feel if people have to understand me better, I should do more good films. I just want them to know me through my films.
I'm very interested in portraying homosexual man and woman in my films because I'm interested in their lives and their problems.
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