A Quote by Fionn Whitehead
I don't really think much about how I would have fared in the Second World War. It's a topic that has to be treated with respect and subtlety, and you can't just go in all guns blazing and make an epic action film.
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I don't believe war is a way to solve problems. I think it's wrong. I don't have respect for the people that made the decisions to go on with war. I don't have that much respect for Bush. He's about war, I'm not about war - a lot of people aren't about war.
I have two dream roles: One would be a biopic of someone I admire and respect and the other one would be some sort of action drama film similar to a 'Bourne Identity.' I just really want to do an intelligent action drama film.
To me, it's about the Golden Rule, really at the end of the day. Treating people as you want to be treated. I just don't feel like it's that hard to do. It's not that much to ask of someone to treat everyone with the respect they would want to be treated with. No matter what you look like or where you're from.
With Dawn I was afraid people would just think it's a B-movie and I didn't know what I was doing. That's really what I was afraid of. Like the subtlety of the movie they would miss. If the movie succeeds, it's that people understand the subtlety. That they're able to see past the conventions of what they think a movie is and go a teeny bit deeper and let it be both.
There's so much more subtlety to this new recording. There's a subtlety in the playing. There's also a subtlety in the way I approached the singing. The band was able to really capture the feeling of the songs and not really trade anything that we had sort of arranged for the live presentation, but the songs just aren't as loud.
I look up and go, 'I'm living in the world I visualized a long time ago.' From making movies, to the Film Society, to just being in a film world. It's a life that I wanted to inhabit. I think everyone has the opportunity to do that in this world - it's just, are you gonna work for it, and how much does it mean to you?
I got caught cheating a bunch of times, well now I'm not drinking but you think just because I say, "Oh I'm not cheating on you" that that's good enough? No! It's about action and I think it's the same way with God. It's about action, it's about the way you live your life and how you carry yourself and that's what God sees. I think people should take a page out of that book when they make their decisions and do things... and I think that the world would be a better place.
My father was a certain kind of man - I saw how he treated my mother and his family and how he treated strangers. And I vowed I would never make a film that would not reflect properly on my father's name.
I don't know the history of hating communism in America. I've always been interested in it, and I've thought about studying it in the past, but I've just looked into other topics first. That certainly sounds like a good topic that we could do on the show. I think it would be really interesting. We would just need to spend a lot of time researching it, getting into it, running down that topic. So I'll take that as a really good pitch for a future episode.
There are lots of guns and action in my drawings, and part of that is just to make them more interesting. Because you can go through a whole film and it's mostly talking heads and little else until the action scenes, and they're usually violence or physical stuff. Same with baseball, or any sport. Except I find pitching and batting are visually very striking.
In my mind, martial arts movies are martial arts movies and action is action. It's quite different, because martial arts doesn't just have physical form; you have a philosophy, internal and external. A lot of it involves your life. How you see the world. An action film I think is just about the movement. I think it's different.
I think caring too much about the economics starts affecting the creative aspect of the film. That is a dangerous process for a filmmaker. He should make his film without having to worry about how much it has cost or how much it will be sold for.
It is captivating, isn't it? England has such a great scene of electronic music, and I think that was very prominent in Pusher, and the nightlife was the beat of the film. I feel what is really great about Pusher is that it wasn't about drugs and guns and strippers. That was just all circumstantial. I felt like it was really about people and how decisions and circumstances can change relationships. Something just happens. Everything changes for a reason.
I think all of the best nonfiction that has ever been made comes from the result of someone who can't stop thinking about a certain topic - a very specific aspect of a certain topic in some cases. And second, they got really good at figuring out what they had to say about it.
I've always had a desire to be provocative and to make people think, but it wouldn't be any challenge for me just to be shocking. That is where it begins for me, not where it stops. And I could be much more shocking. I think I've adopted a sense of subtlety. I don't sit around wondering how I can make myself even stranger to the world. I've simply evolved into the monster I created, and I'm quite happy with it.
My sympathies go out to the young performers today because they are under a microscope in a way I wasn't. Now everybody's got a camera phone and can record at will or take pictures of you. It's just a different world. I don't know how I would have fared back then.
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