A Quote by Fivio Foreign
Even when I be telling people like I'm only dropping one album, they be like, 'Nah, bro, you gotta keep going.'
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I didn't set out like, "I'm gonna do this album, and I really want a #1 album." So it wasn't even on my mind like a goal to accomplish... but as soon as it sunk it that it was an accomplishment, I realized I gotta start acknowledging milestones [I've] accomplished because sometimes you get so caught up in the bigger picture that you gotta stop and notice the steps you take to get to the bigger picture.
I always have these debates with my friends, I was like 'can you imagine dropping LeBron in '75?' and I was like 'bro he'd win 15 championships in a row.'
I'm the only child of immigrant parents, you know? So all the pressure is just kind of on me: You have to make it. And I was like, 'Well, let me make it in music.' They were like, 'Nah, you gotta go to school.'
For us to win a VMA without even dropping our first album was kind of amazing. It felt like a dream, and then I woke up the next morning like, 'Oh my God - I've got a Moonman!'
I was actually born in L.A. My sisters and I were playing in a parking lot, and my dad was like, 'Nah, nah, nah. Let's go give 'em some grass.'
We have to be a democracy and demand certain things even after that individual gets in the White House. All those promises those dudes and women are making on the campaign trail, we gotta make sure those promises come to fruition and that doesn't happen by just voting and letting them get in and then falling back. Nah, you gotta be active. You gotta make your voice heard and be constantly involved in what's going on.
You know why I love Chicago? Because this is just like Baltimore. Like, you can't go to Baltimore and be fake. They gonna point you right out, like, "Nah, you fake, go ahead outta here." They're going to chew you up and spit you out if you're fake. And if you come to Chicago, you can't be fake, in terms of the love and the concern. You gotta be real. Your good intentions - people want to feel that. We don't get enough of that.
Albums tend to dictate what they need. Every time I have made an album it sort of feels like it is decided for me how that album is going to sound; it is not really a cerebral decision where you sit down and decide that you are going to make an album that sounds like 'this.'
I don't like to get comfortable. I don't like to be like, 'Oh, my song is all over the place. I'm lit.' Nah, it makes me wanna keep working.
I listen to classic albums that I ain't gotta fast forward. If I gotta fast forward it three times, I don't like your music. Well, not your music, not your album. Yeah, I don't like your album.
The only thing I'll say, and I'm sure everyone says this, is stick with it. I'm not shy about telling people about the fact that my dream was to go to USC film school when I was growing up in New Jersey. I got rejected five times. You just keep going, keep going, keep going.
I always tell my kids if you lay down, people will step over you. But if you keep scrambling, if you keep going, someone will always, always give you a hand. Always. But you gotta keep dancing, you gotta keep your feet moving.
I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.
I always looked up to great actors and great films. A lot of my family would be like, 'Come on, you should get into these plays that are going on.' I'm like, 'Nah, nah, music's my thing.' I just fell into it. I moved to Atlanta, got with an agency out there, started doing little voiceover commercials, and it started getting kind of fun.
You gotta flex. You gotta look good, bro. Especially coming from the outskirts and wanting to take over the whole Atlanta.
I remember going on iTunes and 'Hamilton' was like the number one rap album, above like Fetty Wap, which is just impossible, like a Broadway cast album.
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