A Quote by Fivio Foreign
Whatever I start living like and whatever I start going through in my life, that's how I'm gonna be sounding. It might sound a little different if I get more comfortable.
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I am so territorial, that [from the start] I just felt like whatever I was gonna do I was gonna write it myself, its my personal preference to always be in control of everything I do in life.
So we say, oh, my goodness; we think we've found another Earth-like planet. We will start trying to figure out how to get there. And I have this strong belief that whatever we think we can do, whatever we can dream, we can do.
If I went to a major, you never know - what if they don't like the stuff I do? I could just get shelved. And then I'm stuck in a contract, and I can't leave. And if that happens, you're gonna realize, you're going to start hating it, so the power with being indie is you could do whatever you want.
It's kind of like being a writer in the sense that you always hear other writers say, 'Well, the best way to start writing is to just start writing.' The same goes for improvisation. You want to start improvising, just start playing notes. And the more you do that, the more comfortable - or not comfortable - but I guess how you're able to adapt to situations. You become more familiar with your instrument. As soon as you have a musical thought, you can go ahead and add to that musical thought and know your way around.
I don't want to let my guard down and feel too comfortable. If you become complacent, you start feeling entitled. I'm ready to go dig ditches if I have to. Whatever I gotta do to provide for my family. Whatever I gotta do to make sure that I do the best possible job at whatever wonderful opportunities I've been handed.
You're younger, you might want to go to clubs and kick it, but as you get older, you start seeing that life has more meaning to it. The people that you love are the people you want to start trusting and start wanting them to trust you and start respecting them.
Donald Trump's going to start a war, he's going to start attacking immigrants or Muslims or Black Lives Matter or whatever. Because he's going to have to distract them from the no jobs.
I don't think of work between albums. Of course, I go through regular life and I live and I experience different things, good and bad, and it does help me, but I don't think about writing or what I'm gonna do with whatever's going on while I'm going through it.
I don't really know how to do anything else except music. But I do. I've never felt more comfortable doing it. When I was put into arenas and stadiums when I was 27, I always thought somebody was going to say, 'No, they're not here for you.' You don't quite believe that they actually like you, because it's an extreme change in your life. Which is insane really, because they bought the ticket. So you start feeling more comfortable in your skin the more you do something, or the older you get.
There's a time and place for everything. You're younger, you might want to go to clubs and kick it, but as you get older, you start seeing that life has more meaning to it. The people that you love are the people you want to start trusting and start wanting them to trust you and start respecting them.
For me, it might sound cliche, but beauty for me really does start on the inside. It's like a state of mind, a state of love if you will. Then, whatever you can do on the outside is all like a bonus.
I don't really get that nervous about whether people like it. You can't do anything about that. It's more technical. You spend two years of your life obsessing, picturing sound details, and you work so hard to make a movie a certain way, that you get there, and you're like - is it loud enough or whatever, so that this experience with everybody in this room is the fairest chance I can get. And then if you like it, cool, and if you don't, whatever.
When the muse hits me, or the mood, or whatever it is, I get my guitar out and I empty it out. I just start going through things to see what's going to happen.
I'm more than comfortable just sitting back and scoring 21, 22 points or whatever and getting 10, 11 assists whatever the case might be. More than comfortable with that. It's just a matter of the pieces that you have around you and what you can do to elevate everybody else.
Nothing is going to stay the same; nothing's gonna sound like in 1952. There's some stuff that has some elements of back in the day, like back in the 90's, back in the 80's or whatever. Some elements, but it's not going to be the same, exactly, sounding. And I love it, I've seen the music change. I've seen the flow and the energy go from turned up to turned down to back to turned up. I like to try different stuff. I don't like to do the same old thing over and over again. I don't like to be repetitive, that gets on my nerves.
Certainly being proficient in an instrument does have its problems. Because the better you get, the more you just start sounding like an ordinary guitarist. There are certainly guitarists that transcend that and do really find their sound and all that sort of stuff.
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