A Quote by FKA twigs
I moved to London to go to dance school when I was about 17, but then I realized that I didn't want to be a dancer anymore, so I dropped out after five or six weeks. All I wanted to do was sing and make music.
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I moved out to L.A. when I was 17, dropped out of high school, and pursued a career in music.
I just realized I wanted to do more than ballet. I was offered an apprenticeship, so I was about to join a company and drop out of high school, and then it hit me: I didn't want that anymore.
When I was very small, when I was five or six, that's what I wanted to be. I wanted to be a song and dance man. Then I got a lot of inspiration from going to visit my grandparents in Glasgow, where I'd go to see variety. That made me want to do it as well.
I stayed a year in the sixth form and there was talk of Cambridge, but I wanted to go to drama school. At 17 and three months I went to the Old Vic School in London. This most remarkable and brilliant drama school lasted only six years because the Old Vic Theatre hadn't the money to go on funding it.
Writing-wise, I started when I was 17. Whatever was bothering me, I could just write about it in a song. I was in the west suburbs of Chicago, then I moved an hour south, and then I went to school up on the South Side - Saint Xavier, though I was at Purdue for a second before I dropped out.
Forget the dancer, the center of the ego. Become the dance. Then the dancer disappears and only the dance remains. Then the dancer is the dance. There is no dancer separate from dance, no dance separate from the dancer.
I'm someone who started in the theater and really couldn't stand repeating the show. My favorite part of acting is the five or six weeks of rehearsal that you get. I like doing previews; I like the opening week because my friends and family come, and then after that, I don't want to do it anymore.
I went off to Harvard Law School for six weeks, and then I said, 'Doggone this, it's not what I want to do.' I remember when I told my dad I was leaving law school, and I wanted to go into football. He said, 'Be a good coach.'
I spent my whole teenage life trying to get to London and go to dance school, but when I got there, I couldn't wait to get to the clubs on weekends. I knew I wanted to make music.
My dad dropped out of school in middle school, but he reads five or six books a week, and my mom reads about two.
I dropped out of school at 17 'cause all I wanted to do was play music. I had odd jobs on the side of gigging until I turned 22, when I was lucky to start doing this full time.
I started playing piano and guitar when I was in elementary school, and then I was finally like, 'I want to sing.' So I started taking voice lessons and decided I wanted to go to an art school and take music seriously.
My schooling was very conservative. I went to Trinity School, and then to the Hill School, which is a boarding school, then to Yale. My parents got divorced in that period, and I realized I didn't have a life anymore. I was the only child, so a three-person family breaks apart. I ended up very conformist, very scared, very lonely. I couldn't go on with Yale, just couldn't do it. I'd been doing too much of that for too long. I didn't know what I wanted, but I knew what I didn't want, which was to go to Wall Street and join the crowd there.
I've always wanted to sing and to be an entertainer. After high school, I moved from New Orleans to Los Angeles and started songwriting. But I didn't really get serious until then.
When I turned 21, I really wanted to go to uni, and then I thought about it and realized all I wanted was the experience. All the stuff you do in uni, I did in London, which is hang out and party with friends - but instead of getting up and going to lessons, I got up and went to work.
I went back to Jamaica after living in New York and started to work on experimental stuff and basically I grew as a filmmaker. I went to film school; I was a PA on a lot of projects and I worked so hard, you know, you're young and I learned from different mentors. And luck put me in the position to work with amazing people. One of my mentors by the name of Little X, who took me under his wing after I came out of film school and moved to New York. I worked in videos for Jay-Z, Pharrell to Busta Rhymes and Wyclef. I quickly realized how much I wanted to make films instead of music videos.
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