A Quote by FKA twigs
I'm not going to become a costume version or caricature of myself; I like to morph.
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Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.
I really don't see little girls growing up and thinking, 'Oh, I'm going to morph myself so I look like Barbie.'
Yes, I am aware that I have become a caricature. I've thought about this. Conceptually, what I'd like to do is the equivalent of writing myself out of the script.
...It's all sort of dreams and it's all illusion. It's theater; it's not real. We're making up stories, you know, and people tend to run into you and believe you are your characters. And I suppose the funny thing is the longer you go, you do become sort of some version of [your characters]. You both diverge from them - you know - you live, but you also permanently inhabit that geography and that mental space - and so you do morph a little bit. We do become what we imagine.
We may say that hysteria is a caricature of an artistic creation, a compulsion neurosis a caricature of a religion, and a paranoiac delusion a caricature of a philosophic system.
Like, that was weird in 'Hamlet 2,' because I played myself there, fully myself, but then I realized, 'Oh, I'm not playing myself. I'm some weird version of myself.' So as an actress, you're always playing something, I don't even know who I am, how could I become me? I don't know what that is.
I didn't want to make a caricature version of Elektra.
I will admit that I purposely stress myself out. But I think I like stressing myself out. There's a glamour to, like, 'I've got to get to the airport!' I just like the caricature.
On telly, if it's not the right kind of show, I revert back to my 'Girlie Show' persona, become this daft, bawdy caricature of myself and I'm not actually like that, I'm actually quite - not clever, but smart with my words.
I'm not like a persona. I'm not a caricature of myself.
I feel like R&B as a genre has become a caricature of itself.
I am like a caricature of myself, and I like that. It is like a mask. And for me the Carnival of Venice lasts all year long.
In some ways, I feel like the strength of animation is in its simplicity and caricature, and in reduction. It's like an Al Hirschfeld caricature, where he'll use, like, three lines, and he'll capture the likeness of someone so strongly that it looks more like them than a photograph. I think animation has that same power of reduction.
My body doesn't have a lot of curves; I have small breasts, I don't have hips - so I'm not going to try to make myself something that I'm not. I'm just going to try to be the best version of myself.
You might think the thinner version of yourself is going to be the most positive or confident, but that's not how it is for me. When I'm over 200 pounds, that's when I'm the most confident version of myself.
I'm on a missionary journey to become the best version of myself.
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