A Quote by Flannery O'Connor

I suppose half of writing is overcoming the revulsion you feel when you sit down to it. — © Flannery O'Connor
I suppose half of writing is overcoming the revulsion you feel when you sit down to it.
I've been writing fiction probably since I was about 6 years old, so it's something that is second nature to me now. I just sit down and start writing. I don't sit down and start writing and it comes out perfectly - it's a process.
Writing fiction is for me a fraught business, an occasion of daily dread for at least the first half of the novel, and sometimes all the way through. The work process is totally different from writing nonfiction. You have to sit down every day and make it up.
I think I sit down to the typewriter when it's time to sit down to the typewriter. That isn't to suggest that when I do finally sit down at the typewriter, and write out my plays with a speed that seems to horrify all my detractors and half of my well-wishers, that there's no work involved. It is hard work, and one is doing all the work oneself.
One of the strangest things that used to happen at half time was that you'd come in, and you would have to sit down and be quiet. Get your drink, your energy bars or whatever, and sit down.
I sit down and I write what I'm thinking and what I feel - it happens all at once, I never stop writing.
I write in longhand. I am accustomed to that proximity, that feel of writing. Then I sit down and type.
There are two things John and I always do when we're going to sit down and write a song. First of all we sit down. Then we think about writing a song.
I understand what's going on, and when I see the fervor, when I see 25,000 people that have seats and not one person during an hour speech will sit down, I say sit down everybody, sit down, and they don't sit down, I mean, that's a great compliment but I do understand the power of the message. There's no question about that.
I have seen white settlers in Africa who had sworn that they would never sit down to table with those "smelly blacks" sit down quite happily with half-nude tribesmen once a country achieves independence. It is the context of power which changes behavior and transmutes antipathy into sympathy.
Writing has never been an intentional endeavor to me. I know a lot of people have experiences and then sit down and try to sort them out through song, but whenever I sit down to write, it comes out hackneyed or overly saccharine.
Sometimes Thomas Mackee will stick an earphone into my ear and ask me to listen to a song. When I get over the revulsion of putting something in my ear that's been in his, I sit back and let the music take over, and for a half hour there's something comforting about someone's heart beating at the same rhythm as mine.
I do one sit up a day. I get up in the morning, that's the first half. I lay down at night, that's the second half.
Writers who sit down and write might judge what they're putting down, but I always just try to barf it out. I'm writing crap, but I'll put it down.
Occasionally, once a speaker is on his feet, it is difficult to get him to sit down. ... If and when he returns to earth, he notices half of the room is paging the other half and a few are playing with the melted candles.
I personally feel the need to experience life and new music and ideas before I can sit down and start writing music again.
The secret to writing is writing. Lots of people I know talk about writing. They will tell me about the book they are going to write, or are thinking about writing, or may write some day in the future. And I know they will never do it. If someone is serious about writing, then they will sit down every day and put some words down on paper.
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