A Quote by Flannery O'Connor

Fiction is about everything human and we are made out of dust, and if you scorn getting yourself dusty, then you shouldn't try to write fiction. It's not a grand enough job for you.
I like to think of myself as a fiction writer who liked art enough to write about it for a while, and then went on to his fiction.
I can't recommend technical writing as a day job for fiction writers because it's going to be hard to write all day and then come home and write fiction.
Fiction is about human beings, first and foremost. (It's not impossible to write fiction with no human protagonists, but it's very hard to keep the reader interested ...)
I used to write fiction, non-fiction, fiction, non-fiction and have a clear pattern because I'd need a break from one style when going into the next book.
Writing fiction is not a profession that leaves one well-disposed toward reading fiction. One starts out loving books and stories, and then one becomes jaded and increasingly hard to please. I read less and less fiction these days, finding the buzz and the joy I used to get from fiction in ever stranger works of non-fiction, or poetry.
I write fiction longhand. That's not so much about rejecting technology as being unable to write fiction on a computer for some reason. I don't think I would write it on a typewriter either. I write in a very blind gut instinctive way. It just doesn't feel right. There's a physical connection. And then in nonfiction that's not the case at all. I can't even imagine writing nonfiction by hand.
Fiction and non-fiction are only different techniques of story telling. For reasons I do not fully understand, fiction dances out of me. Non-fiction is wrenched out by the aching, broken world I wake up to every morning.
Really, I've worked my whole adult life at fiction, to try and write fiction.
I don't really want to write fiction at all. I don't see why fiction is necessary when we have real life already confusing enough.
When I began to write fiction that I knew would be published as science fiction, [and] part of what I brought to it was the critical knowledge that science fiction was always about the period in which it was written.
There's basically an element of fiction in everything you remember. Imagination and memory are almost the same brain processes. When I write fiction, I know that I'm using a bunch of lies that I've made up to create some form of truth. When I write a memoir, I'm using true elements to create something that will always be somehow fictionalized.
A non-fiction writer pretty much has the shape of the figure in front of him or her and goes about refining it. A work of non-fiction is not as difficult to write as a work of fiction, but it's not as satisfying in the end.
It seemed to me that I could write commercial fiction. I wasn't sure whether I could, or whether I wanted to write serious fiction at that point. So I said, 'Let me try something else,' and I wrote a mystery - but I didn't know much about it.
To be perfectly frank: I don't write women's fiction. I write intimate, gritty, realistic, character-driven fiction that happens to be thrown into the women's fiction category.
My advice is to write about what you are interested in. If you read science fiction and fantasy, then write in that genre. If you read romance novels, then try writing one.
I've always been fascinated by the brain. I wrote a lot about brain-tech in my first non-fiction book, 'More Than Human.' So when I decided to write science fiction, that was the technology I gravitated towards.
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