A Quote by Flannery O'Connor
The only way, I think, to learn to write short stories is to write them, and then try to discover what you have done.
Related Quotes
You can't learn to write that way - by writing directly for the screen. Wait until you're 30. But in the meantime write 200 short stories. You've got to learn how to write!
Don’t try to write a novel. Write short stories and then figure out how to connect them.
One of the things about the arts that is so important is that in the arts you discover the only way to learn how to do it is by doing it. You can't write by reading a book about it. The only way to learn how to write a book is to sit down and try to write a book
I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.
I hadn't meant to do the pattern of publishing short stories and then a novel. I thought, 'I'm a novelist. I know it.' But you have to kind of write a lot of bad novels before you can write a good one, I think, so I did that. But meanwhile, I loved the short stories I did.
Like many writers, I started by writing short stories. I needed to learn how to write and stories are the most practical way to do this, and less soul-destroying than working your way through a lengthy novel and then discovering it's rubbish.
Advice? Focus on the craft. Study the greats. Try and understand how and why they made the writing choices they did. Then, start by copying them...just as an exercise. See if you can do similar things. Learn how to write a song like so and so. Then, when you've done that, write a song like yourself. Learn to color within the lines before going outside them.
Short story writers simply do what human beings have always done. They write stories because they have to; because they cannot rest until they have tried as hard as they can to write the stories. They cannot rest because they are human, and all of us need to speak into the silence of mortality, to interrupt and ever so briefly stop that quiet flow, and with stories try to understand at least some of it.
[Jorge Luis Borges] had short stories, and I was trying to learn how to write short stories, and then he had these things in the middle that were like fables, and I loved hearing fables.
I think a lot of the way that I try to write my stories come from watching my mom write plays and trying to do that.
When I write a story, I try to write them from the perspective of victims. I try to write them from the perspective of families who've been done wrong, who have lost their loved ones or people who have experienced injustice.
Discover the time of day when you write best, and write then. For me it's about 7 am to noon. For other people it's overnight. Try not to do anything other than write between those times.
I started out in graduate school to be a fiction writer. I thought I wanted to write short stories. I started writing poems at that point only because a friend of mine dared me to write a poem. And I took the dare because I was convinced that I couldn't write a good poem... And then it actually wasn't so bad.
I don't write a play from beginning to end. I don't write an outline. I write scenes and moments as they occur to me. And I still write on a typewriter. It's not all in ether. It's on pages. I sequence them in a way that tends to make sense. Then I write what's missing, and that's my first draft.
I try to write cinematically. Let me define what I mean by that. First of all, I try to write in a visual way so that the reader can watch a movie in their head. And it keeps moving. I try to structure the stories like a screenplay may be structured.
I've never invested myself properly in trying to write stories. When I write lyrics, mostly I write each sentence separately on an index card and then I lay them out and I just mix them up.
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