A Quote by Flannery O'Connor

... the novelist is bound by the reasonable possibilities, not the probabilities, of his culture. — © Flannery O'Connor
... the novelist is bound by the reasonable possibilities, not the probabilities, of his culture.
The office of science is not to record possibilities; but to ascertain what nature does ... As far as Darwinism deals with mere arguments of possibilities or even probabilities, without a basis of fact, it departs from the true scientific method and injures science, as most of the devotees of the new ism have already done.
In his eyes I saw all the other possibilities. The dream-world possibilities. The fairytale possibilities. The seemingly impossible possibilities.
The moment of enlightenment is when a person's dreams of possibilities become images of probabilities.
One influential philosophical position about the use of probability in science holds that probabilities are objective only if they are based on micro-physics; all other probabilities should be interpreted subjectively, as merely revealing our ignorance about physical details. I have argued against this position, contending that the objectivity of micro-physical probabilities entails the objectivity of macro-probabilities.
Leadership both projects to the future and reflects upon the past. It bursts with possibilities, flaunts peculiarities, and occasionally defies probabilities.
I'm a pessimist about probabilities, I'm an optimist about possibilities.
Nothing can now be believed which is seen in a newspaper. Truth itself becomes suspicious by being put into that polluted vehicle... Perhaps an editor might begin a reformation in some such way as this. Divide his paper into four chapters, heading the 1st, Truths. 2d, Probabilities. 3d, Possibilities. 4th, Lies. The first chapter would be very short.
If any art form can accommodate contemporary culture, it's the novel. It's so malleable - it can incorporate essays, poetry, film. Maybe the challenge for the novelist is to stretch his art and his language, to the point where it can finally describe what's happening around him.
The most important thing in life is to stop saying 'I wish' and start saying 'I will.' Consider nothing impossible, then treat possibilities as probabilities.
It seems reasonable to expect that beauty will emerge from a fusion of the individual character and culture of the potter,with the nature of his materials.
The utmost the American novelist can hope for, if he hopes at all to see his work included in the literature of his time, is that it may eventually be found to be along in the direction of the growing tip of collective consciousness. Preeminently the novelist's gift is that of access to the collective mind.
Miss Austen had shown the infinite possibilities of ordinary and present things for the novelist.
The possibilities and probabilities are all we have to work with in medicine, though. What we are drawn to in this imperfect science, what we in fact covet in our way, is the alterable moment-the fragile but crystalline opportunity for one's know-how, ability, or just gut instinct to change the course of another's life for the better.
If it were possible adequately to present the whole of a culture, stressing every aspect exactly as appears in the culture itself, no single detail would appear bizarre or strange or arbitrary to the reader, but rather the details would all appear natural and reasonable as they do to the natives who have lived all their lives within the culture.
He who sees different ways to the same end, will, unless he watches carefully over his own conduct, lay out too much of his attention upon the comparison of probabilities and the adjustment of expedients, and pause in the choice of his road, till some accident intercepts his journey.
Sigmund Freud was a novelist with a scientific background. He just didn't know he was a novelist. All those damn psychiatrists after him, they didn't know he was a novelist either.
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