A Quote by Flavor Flav
Back in the day, when the D.J. would be playing a record, I'd be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that that's the role that I wanted to take on. I wanted to be the one that was hyping, because I've always been good at it. I can hype up any crowd.
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Back in the day, when the D.J. would be playing a record, Id be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that thats the role that I wanted to take on. I wanted to be the one that was hyping, because Ive always been good at it. I can hype up any crowd.
I always enjoyed playing around Washington, because we always have a good crowd. I've never had a bad crowd in this vicinity from here [Alexandria], up to Washington and on to right around Baltimore. They've been some good fans.
Lyrics came quite easy early on in my career. But I always wanted to push it further and stand out a bit more. We were coming from the garage era when lyrics were simplified, purposefully, to work in the club environment. They were about hyping up a crowd or bigging up a DJ. Moving into grime, our lyrics became more in-depth.
I was an immigrant when I came, and one of my biggest things was I really wanted to fit in. I didn't want to be, 'Oh, look at that guy;' I wanted to be part of the crowd. Which is a weird thing, because the more successful I got, the more out of the crowd I became.
If you hype something and it succeeds, you're a genius - it wasn't a hype. If you hype it and it fails, then it was just a hype.
I wanted to get the fastest time in the world this year, but with everything going on, it's a pretty decent swim, ... I knew I was under world record pace. You could tell by the crowd. You can always tell at these meets when something good is going on because of the crowd.
After World War II the Republicans - the Wall Street crowd - were very worried about a depression coming back. They hated Franklin Roosevelt in that crowd, my father among them. And there was a great fear in '46 that we'd fall back into the pits. And they always wanted to break up the Roosevelt legislation.
I think any time you lose an Ashes series, especially with the hype and build-up surrounding it and the pride we have as Australians playing against England, that's always hard to take.
I used to do stand-up when I was in high school. But I was also making beats for this rap group, and when we got a record deal, I sort of stopped doing the comedy and focused on the music instead. When that ended, I decided to go back to school, take broadcasting, and start my show on public-access TV.
Christ was crucified because he would have nothing to do with the crowd (even though he addressed himself to all). He did not want to form a party, an interest group, a mass movement, but wanted to be what he was, the truth, which is related to the single individual. Therefore everyone who will genuinely serve the truth is by that very fact a martyr. To win a crowd is no art; for that only untruth is needed, nonsense, and a little knowledge of human passions. But no witness to the truth dares to get involved with the crowd.
A mixer for me needs to have some sort of effects, as it's a big part of how I might hype up the crowd in certain parts of a track, using the delays and filters for instance.
I've watched a lot of people who became famous who completely change and I think it's because they tend to believe all the hype that's out there. I don't think there's that much hype about me.
Infinite was me trying to figure out how I wanted my rap style to be, how I wanted to sound on the mic and present myself. It was a growing stage. I felt like Infinite was like a demo that just got pressed up.
As a preacher, I'm working with the crowd, watching the crowd, trying to bring them to that high point at a certain time in the evening. I let everything build up to that moment when they're all in ecstasy. The crowd builds up and you have to watch it that you don't stop it. You start off saying you've heard that tonight's going to be a great night; then you begin the whole pitch and keep it rolling.
Every little boy wanna pick up the mic,
And try to run with the big boys and live up to the real hype.
But that's like pickin up a ball, playin with Mike,
Swingin at Ken Griffey or challengin' Roy to a fight.
I knock people out. As soon as I land my shots on him, you will see the difference between class and hype. He's been built up and he believes the hype, but I will beat reality into him.
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