A Quote by Flea

The apparatus has to serve our improbability and improvisation. Being good and playing the songs is not enough. — © Flea
The apparatus has to serve our improbability and improvisation. Being good and playing the songs is not enough.
Sometimes I don't go into the studio for quite a while because I haven't found enough good songs. They have to have a certain caliber and connect with me because I'm going to be playing them for the rest of my life. I start off with a circle of friends whose songs I love anyway.
It is probably no exaggeration to suppose that in order to improve such an organ as the eye at all, it must be improved in ten different ways at once. And the improbability of any complex organ being produced and brought to perfection in any such way is an improbability of the same kind and degree as that of producing a poem or a mathematical demonstration by throwing letters at random on a table.
I would make a huge distinction between theater improvisation and film improvisation. There isn't much improvisation in film - there's virtually none. The people that theoretically could be good at this in a theater situation don't necessarily do this in a film in a way that will work, because it's much broader on a stage. But in a movie, it has to be real, and the characters have to look entirely real because it's being done as a faux documentary, so there are even fewer actors that can do that on film.
Undeniably, the audience for improvisation, good or bad, active or passive, sympathetic or hostile, has a power that no other audience has. It can affect the creation of that which is being witnessed. And perhaps because of that possibility the audience for improvisation has a degree of intimacy with the music that is not achieved in any other situation.
Maybe today we aren't being told that our brains are not capable of such things [like programming], but we [as a women] are being told that we are not good enough or smart enough or that our successes do not belong to us.
We often block our own blessings because we don't feel inherently good enough or smart enough or pretty enough or worthy enough... You're worthy because you are born and because you are here. Your being here, your being alive makes worthiness your birthright. You alone are enough.
A lot of improvisation ends up being about just thinking outside of the box in the scene. It's not improvisation as much as it is quickness or making it real.
We're a live band. Some bands write their songs in the studio - we don't do that. We're playing songs on this tour that were written three days before the tour. And it feels good to try these songs.
Most of my music is improvisation, and composition is improvisation. Even if I have a score, it is improvisation.
Being a kid myself, I loved playing and I loved playing with words, and making up things and riddles and songs and not afraid of being silly in public.
It wasn't until about a year, year and a half in where I began to realize that the Pentagon and our national-security apparatus and the CIA were all getting too comfortable with the technology as a tool to fight terrorism, and not being mindful enough about how that technology is being used and the dangers of a form of warfare that is so detached from what is actually happening on the ground. And so we initiated this big process to try to get it in a box.
Certainly the philosopher of 'possible worlds' must take care that his technical apparatus not push him to ask questions whose meaningfulness is not supported by our original intuitions of possibility that gave the apparatus its point.
That our being should consist of two fundamental elements [physical and psychical] offers I suppose no greater inherent improbability than that it should rest on one only.
I can't stress enough how important it is to write bad songs. There's a lot of people who don't want to finish songs because they don't think they're any good. Well they're not good enough. Write it! I want you to write me the worst songs you could possible write me because you won't write bad songs. You're thinking they're bad so you don't have to finish it. That's what I really think it is. Well it's all right. Well, how do you know? It's not done!
Jazz is a music that really allows a person to express his deepest self, his most personal self - Africa being the primary source of jazz. Naturally, improvisation and swing are a part of jazz, improvisation being the key.
When we first started playing in the early days, none of us really had any idea about writing our own songs yet. We were struggling how to learn our instruments and play songs to be able to perform for people.
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