A Quote by Fleur East
It's funny because the perception is that the typical 'X Factor' contestant is the person who's just working 9 to 5 and just decides to one day go and audition. So yeah, for me, it was a very different story.
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I just saw dialogue, in the audition, and had no backstory. I was like, "I'm just going to be myself because I have no idea who this is or where he's coming from." The typical questions that actors have to ask themselves were very hard. I had to imagine, a little bit, and just made it work.
Bruce McGill and Sasha Alexander are regulars on the show. That shows that it's not just a typical procedural show. We have these actors because they can come in and actually act, and show the different colors of actual people. No person is just one color. No person is just who they are at their job, 24/7. That was really what I was excited about.
I wouldn't compare myself to any past Idol contestant, because I don't feel like I am like any of them. Maybe stories are cool but my story is different from most people's story. I don't like to compare myself to other people, I like to just be me.
OK, I have to admit that I go on TheSuperficial.com. That guy is so funny, he's just so funny... you know, I'm a news junkie, so I regularly flip between HuffingtonPost.com, CNN.com, and a site that's called MyWay.com, which shows me six different news feeds. And I go on DrudgeReport.com about once a day.
I didn't tell anybody [had got a role at As Good As It Gets], because I was just going, "Well, that was the strangest audition..." And I just thought, "There's no way he gave me the job on the spot when there was a room full of other girls waiting to audition for it." But then I didn't hear anything for a couple of days, so I finally called my agents, and they're, like, "Oh, yeah, congratulations! We know Jim [L.Brooks] told you in the room that you got it."
I didn't want to go for the 'X Factor' because I just thought people were going to laugh and take me off the stage. You just got to go for it because what's the worst that can happen?
Improv is more than just spitting out a bunch of funny stuff that's unrelated to the material. You have to stay in character, you have to react and respond as the character you're trying to play. You have to service the story, and I think improv training has helped with my listening, responding, and my audition technique. It's sounds so silly, but it's true. Because not only do you improvise during the audition, but once you get the part, they'll say, "Throw away everything. Just improv this scene. Do whatever you want." Someone could panic if they're not used to doing something like that.
My father was a typical Irish father. He was a nice, hard working, driven guy. His politics were very conservative and I was just a very different kind of kid to that. I was very shy and bookish.
The idea of me being an icon or something is a very funny thing, just because of my own weird insecurities. But, yeah... probably because I toiled away being nothing for so long.
Especially when I first came up here to New York, everybody wanted to hook me up with this guy who's Prince's sound engineer. Almost everybody wanted me to hook up with him and go to L.A. and do all that just because that's the route Prince took. And for a while I was listening to all of that. "Yeah, if it's good enough for Prince, it should be good enough for me." But I mean, that's not the case, really. Prince is a different person than I am. You just got to find the right person for you, whoever you click with.
Sometimes people that are very good at improvisation in life, meaning like stage improvisation, aren't good in films because you have to ultimately take a scene where it needs to go. It's not about just saying something that's funny. You can say something funny but if it's not on story or driving the scene to its end it's really not very helpful at all.
There is something about the vocal quality of the actors who can really do it. Jim Burrows, the great sitcom director who directed Will & Grace and Cheers, when an actor comes in to audition for him, he never looks at them. He just listens. Because funny is funny. You can be fooled by the eye, but if your performance is funny to the ear, it will be funny.
I'm just the least funny person in a room full of funny people, which is basically every single day of work for me.
For me, funny is funny, and what's unfortunate is these comedians aren't being allowed to operate in rooms for everybody and that everybody can laugh and say, 'Okay, I find that person funny, and I don't just have to find them funny because they look like me.'
Most people never really sat down and got to know a homeless person, but every homeless person is just a real person that was created by God and it is the same kind of different as us; they just have a different story.
My parents took me to that I think is just one of those near-perfect comedies is Young Frankenstein. Gene Wilder and Mel Brooks, they're at the height of their game. The two of them working together was amazing. Yeah, just a terrific story. You get emotionally involved. Jokes all the time, jokes that come from story. Like, they don't have to go wildly out of their way to make the jokes. It's a parody of Frankenstein movies, but also it stands as one of the great ones, one of the great Frankenstein movies.
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