A Quote by Fleur East

I uplift people and see the good in a bad situation. The worst is I'm very critical of myself. If I do a performance, I watch it 100 times afterwards and pick it apart. — © Fleur East
I uplift people and see the good in a bad situation. The worst is I'm very critical of myself. If I do a performance, I watch it 100 times afterwards and pick it apart.
I believe people are genuinely good. I don’t like to see the bad in people, so because of that, I could see myself falling into a bad situation. But thankfully, I haven’t yet.
I do see the good in people, but I also see the bad --- I see it in myself. I know what I'm capable of. Good and bad. It's very imnportant that we make that clear. Just because I often find a way around the darkness doesn't mean tjat I don't know it's there. (Bono)
I would tell anyone, pick the person you love the most, the musician, the actor, public figure, whatever, and watch a bunch of their interviews and find ones where they talk about all the times they've failed, all the times they weren't good enough, and watch those on the regular. It's a very unique type of inspiration. It's almost like spiritual jumper cables for your inner drive.
Heartbreak has definitely been a big inspiration for me. You can write about a bad situation and just feel so much better afterwards. For me it's very therapeutic. But love in general - even when it's good - is always very inspiring.
I always watch my matches back 100 times afterwards because that's how I improve. This is something I've always done, even in NXT.
I sit down with my coach to watch past performances. But I can be very critical. I don't watch myself very often - it makes me cringe!
At the beginning of 'The Hills,' I couldn't watch myself because I'm very critical and would pick myself to pieces. But with movies I feel like it's different because you're playing a character. So it's like watching yourself but not watching yourself.
In one sense, the Stanford prison study is more like a Greek drama than a traditional experiment, in that we have humanity, represented by a bunch of good people, pitted against an evil-producing situation. The question is, does the goodness of the people overwhelm the bad situation, or does the bad situation overwhelm the good people?
Nothing makes you look older than attempting to look young. You can fool anyone, apart from the young. The worst are the lip operations. There are people who have it done and I don't recognise them afterwards. They look like they flew through the windscreen during a car accident and were patched up badly afterwards.
Actors are the best and the worst of people. They're like kids. When they're good, they're very very good. When they're bad they're very very naughty.
In general, I think writing characters, no one is 100 percent good or bad, and certainly, the bad characters never think they're bad themselves. Even the worst characters don't feel like they're bad guys on the inside.
I stickhandle a lot at practice. I watch a lot of hockey, so I try to either pick up something from other players or watch some video and see what kind of move would work in the same situation.
I don't really regret anything I've done, even if it's bad. I mean, I have a $100,000 Chopard watch. I don't need a $100,000 watch, but I like it. It's all diamonds. That's a little extreme, but I don't care.
I wrote [Valley of Violence] entirely with James Ransone in mind. I get such a joy out of watching his performance and seeing people watch this. He's so great. The bravado thing and the foolishness, he does them both so well. It's weird because he's so hateable in the movie, but in the end, you're also going, "I feel bad for him." That's hard to do. It's hard to do that to where you're like, "This guy's the worst, but I know why he's the worst, so it's a shame this is happening." That's the whole thing.
I think, do you know what, I'm going to be honest and say, the times I actually pick myself apart and feel miserable is when I get papped in a bikini.
I'm extremely critical. I don't consider myself a performance artist. I balk at the term performance art.
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