A Quote by Fleur East

I'd perform in the mirror; I'd pretend to do interviews. I'd practice my autograph for hours. — © Fleur East
I'd perform in the mirror; I'd pretend to do interviews. I'd practice my autograph for hours.
I loved magic, and so I would practice my magic tricks in front of a mirror for hours and hours and hours because I was told that you must practice, you must practice and never present a trick before it's ready.
The Argentineans practice on the court for two hours a day, then they must practice in front of a mirror for two more hour saying 'I'm not guilty.'
The right kind of practice is not a matter of hours. Practice should represent the utmost concentration of brain. It is better to play with concentration for two hours than to practice eight without. I should say that four hours would be a good maximum practice time-I never ask more of my pupils-and that during each minute of the time the brain be as active as the fingers.
I live a different way today. I have a family, and they are a priority for me. These days, I no longer wake up in the morning and worry if my bass is tuned properly and practice for hours and hours on end. I don't perform as much, but when I do, there's such magic to working in front of a live audience.
I practice for hours in front of the mirror. I constantly deliver my routine in front of my friends.
When you learn an instrument, it takes an awful lot of time to just learn the scales, and then eventually when you have completely mastered the instrument, the music plays for you. But you still have to keep practicing. And it takes an awful lot of practice. Nonetheless, if you diligently practice, hours and hours and hours and hours, you probably won't get it. You'll probably just end up hurting your fingers.
I grew up playing the guitar. I started when I was nine, and by the time I was nine and a half or ten, I was doing seven or eight hours' practice every day. I did two hours' practice at six o'clock in the morning before I went to school, and another two hours as soon as I got home from school in the afternoon. Then I did four hours at night before I went to bed. I did that until I was fourteen or fifteen.
I've worked with some people that just spent hours and hours and hours in the mirror, and just so much importance is based on that. And I do find that sad.
I don't have a problem doing interviews. It's not punishment. There's things about it that I don't like. No one else is really saying these kinds of things, so someone has to. I don't think that it's the most humbled thing to talk about yourself for hours and hours and hours.
All the stories in 'The UnAmericans' required interviews, travel, hours and hours in the archives. All of that stuff is so important in the beginning, but I reach a point where I have to shuck it away.
If interviews are just interviews or if music is just music, why are we even doing it? You only get so many hours in a lifetime, man.
As a kid, I used to practice my signature, working on the way I wanted to sign my autograph.
I'm not a natural. I had to teach myself - or be taught - everything I do. I just spent hours and hours in the mirror mimicking Michael Jackson.
In photos, I don't know who the real me is - it's all pretend, just pretend. There's not much of myself in my work. If I'm looking in the mirror and I'm working, I'm looking at my make-up and my hair. It's not the same as looking at myself.
When I don't have basketball practice, I'll be in a gym for 2.5 hours - 30 minutes abs, 2 hours lifting.
'Choli Ke Peeche' and 'Ek Doh Teen' were my favourite numbers as a kid. I was a huge fan of Madhuri Dixit and would spend hours looking into the mirror and aping her expressions, believing that the mirror was the camera!
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