A Quote by Floor Jansen
People think that when they come up to me, screaming things into my ear, that I will respond according to what they want. I'll turn around and smile and take the photo. But I'm not somebody's marionette.
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Grooming-wise, it is now a constant battle as I progressively turn into my father. I have to keep on top of ear and nose hair - things you never believe will happen to you. Suddenly I have a shaving brush in my ear and I don't know where it's come from, and the more hair I take the out, the more it surges back.
Some people have bigger egos than others. You have to take a lot of abuse, and take it in and not respond, because you don't want conflicts on the movie, you don't want to start screaming at people even when they treat you - even when they're not behaving properly, because you want them to do their job, and keep on doing it.
No matter what the outcome is, as long as you pray to Him and be genuine - because He knows when you're genuine and when you're not - and maintain the faith, I think things will turn around for you. I know things will turn around for you. And ultimately, you will always be victorious when it's all said and done.
I like comic conventions. I genuinely like comic conventions. I like wandering around from table to table; I like wandering up and down Artist's Alley and saying "Hello" to people. I like hanging out on the DC booth. I can't do that anymore. I'd like to, but I can't. I physically can't. If I stop moving, somebody will come up to me with something to sign, and if I sign it, somehow it's like ants sensing sugar. There will be fifty or a hundred people around me and then fire marshals will come and then I'm trapped in a crowd. It's bizarre.
I'm not Rihanna. I'm not cool. When people come up to me in the street, they often want a hug, not a photo, and they want that because they like my work.
Did you know...that when you walk past a flower, whether it be in somebody's garden or on a vacant hillside, the flower will always smile at you. The most polite way to respond, I've been told, is to cheerfully return the smile.
I respond to powerful women. I'm not intimidated by that, I like that, it's not something I shy away from, so I don't want women who are looking for me to take care of them. To me, that's a turn-off. I respond to strong, powerful, independent women.
I can't wait to tell him one day," she says with a giggle. "'Hey, Chaz, guess what? We knew where your precious car was all the time.' I'd like to take a photo of his face. What do you think?" "I reckon I'd smile really nicely in the photo," Santangelo says behind me, yanking me out of the way, "knowing that you'll be keeping it under your pillow for the rest of your life.
I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning.
There comes a point when you've exhausted your opportunities playing good guys. I've been around long enough, I think I'm entitled to explore a bit. But what I saw there was an opportunity to play a character different from what the audience's expectation was. A chance to take their crude experience of me - of my iconography, if you will - and turn it on its ear at an appropriate juncture in the film to be useful to the process of telling the story.
I have people around me. I have a semi-permanent crew. If I make a film, they just turn up. They don't even invite themselves. They don't ask if they can come - they just turn up!
I have this natural want to... when things sound very easy and straightforward, something inside me always makes me want to take a left turn. If it comes to me and it's too simple, there has to be a more complicated route. I will complicate things like that at times.
People come up to me, they want to fight me. I've faced a lot of people come up to me and saying racist things, hateful things, aggressive things.
If I walk on the street, if I go to a restaurant, people come to me and say: "Can we take a photo together? Can you give me your autograph?" They would bring their expensive Armani or Prada wallet to sign. Other people who are desperate show me a photo of their dead daughter and ask: Can you support me? I tell them: How can I? Morally, of course, I sympathize with you. But I cannot support you and you cannot support me. This is the condition of this society. We are separated.
I want somebody to love, and I want somebody to love me. And nobody ever will. And that's why it hurts. Because it makes a difference. And when nobody cares, it makes you all mad inside and it makes you want to say things, tear up things, break things, get through the glass.
I don't think most people decide to become an actor because they want to be followed around all the time... I see it when I'm with my brothers, and I don't get it. I don't understand why someone wants to take a photo of us getting out of a car or on the beach. I think that's really weird.
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