A Quote by Floor Jansen

There is a project that I did back in 2008 with a Norwegian guitar player, Jorn Viggo Lofstad, who plays in Pagan's Mind. We wrote a rock album, and we never released it.
Just about every rock band and every guitar player from 1964 to 1984. To me, that's the golden period of rock. From the first Beatles album hitting America to the last Van Halen album with David Lee Roth. That's where all my favorite rock exists.
I wasn't personally that familiar with the Classic Rock bands. That is where Jorn Viggo came in: he played me tons of that stuff - Deep Purple, Led Zeppelin, plus a lot of bands with cool songs, riffs, vocals, etc. We really listened to tons of music.
You can write a radical Norwegian or a conservative Norwegian. And when I changed to a conservative Norwegian, I gained this distance or objectivity in the language. The gap released something in me, and in the writing, which made it possible for the protagonist to think thoughts I had never myself thought.
And a lot of the technique and the little T-Bone phrases that define his style, Chuck Berry, when he rearranged the beat, they became rock 'n roll guitar licks. So in essence, T-Bone was not only the first electric blues guitar player, but he was the first electric rock 'n roll guitar player, really.
Being a professional wrestler was never one of my goals in life. I always wanted to be some kind of entertainer. I used to want to be a rock singer or a guitar player but I can't sing and I can't play the guitar.
I would hate to look back on my life and go, 'You know, I wanted to do a rock n' roll album. I should have, and I never did.'
When I wrote the first album I had never played live before, and I'd never been on tour. So that was really just me and my guitar.
When I started trying to produce records for other people, one of the first tracks I wrote and produced was sort of a 'Kelly Clarkson circa 2008,' kind of big-brassy, guitar-pop, rock song. I was like, 'I can do this. I can make pop songs.' It was bad.
I just liked music, and I really liked rock guitar. I didn't think I was going to be a rock guitar player, because I was a girl. I would've been too shy to play with guys.
The thing with 50 Words of Snow is that it was literally back-to-back from Director's Cut [also released in 2011]. It was more or less that I got to make two albums in one hit. I was already in this space in my mind to be writing and making an album.
I know six years is a big break. But I never walked away from music. I never released an album because I wanted to do a different album, something I have never done before.
Tony MacAlpine not only plays guitar, but is a stunning classical piano player, so he can show how that influence molded his guitar playing.
I listened to classical guitar and Spanish guitar, as well as jazz guitar players, rock and roll and blues. All of it. I did the same thing with my voice.
Well, 'Crunk Rock' doesn't mean rock. Initially when I started the album, I did collaborate with a bunch of rock musicians and producers. But as I started to have time to free my mind and catch different vibes, it started to mean something different.
I never met a politician who didn't want to be a guitar player in a rock band. I've got the opportunity to say what I believe in.
George wrote Taxman, and I played guitar on it. He wrote it in anger at finding out what the taxman did. He had never known before then what could happen to your money.
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