A Quote by Floor Jansen
Sometimes, I would love to record a super-quiet album, but for some reason, I never really got to that because my heart lies with the heavy stuff.
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When you love what you do, you just really fall in love with it. Sometimes you record a lot more songs than the album will even hold. You record like 300 songs and only 12 songs go on the album. It takes time. But if you love what you do, it works out.
I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.
I was putting middleweights, Light heavy's, heavies and Super Heavy's to sleep. And it got to a point where no one would fight me, so I retired. I will never box again because I went 2 years and no one would fight me at all, zero. That's when I started training fighters.
It would be really nice to make a record that would be super-fun to play live - a record that would be funny, with a little bit of heart.
I'm doing this record called 'Epicloud.' Over the course of the full record, there's sort of new agey stuff, jazzy stuff, really heavy stuff. We basically cover the gamut.
The Replacements are the foundation for a lot of what came after in alternative and college rock. Let It Be is their best record and has the most diverse collection of songs. Some pop stuff, some heavy stuff, and some real moments of beauty like 'Sixteen Blue' and 'Androgynous.' It's a record I always go back to.
At some point, I'd like to make a record that's more of a self-serving guitar album, because I really love to play. It's not really something I'd expect a whole lot of people to buy, though.
There are three versions of the hook. There's one that's solid metal and it's really heavy. It's sharp. It's not super sharp but it has a point, and because of the weight you could do some serious damage with it. And then there's an aluminium one which is a bit lighter, and then there's a rubber one for if you're to do stunts or there's any danger of cutting someone. Although sometimes I like to switch it out! It's the perfect coffee cup holder - it's literally the exact size. And if you've only got one hand and you're holding some food, it's great to put it on.
To create an album of love, I really had - I thought it was going to be easy, because I've always written love songs. But I thought if I really want to make a love album that contributes, that actually means something, I've got to go deep.
In my opinion, I would still like to go into a studio - because I love the environment of being in a studio - and record a great album beginning to end, but then maybe not release it as an album. Maybe put singles out there, put songs out there - either give some away or release some the traditional way.
I never play all new stuff, because you got to "dance with the girl that brought you" what is that saying? You got to play the songs that got you there, so I love playing the songs from my very first record.
We titled it, 'You Should Be Here,' for one, because just how special that song is, and I think it kind of sets the tone for this album. I've established that I like to have fun, but this is a little more than that - this album has got some fun stuff, but it's also got topics that I haven't gotten a chance to touch, and I'm so excited about it.
So, when I got the contract for my album, even though it was an English record, my manager insisted on making sure we would record in Spanish as well, and it worked out really well for me.
I belonged to the Columbia Record Club, and that's where my records came from. For some reason, I was in the 'jazz' category. I got Benny Goodman records and Miles Davis, J.J. Johnson and Kai Winding, and that kind of stuff. I really was not a jazz guy at all, but I knew some of those names.
I love singing and would love to record an album at some point.
I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.
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