A Quote by Flora Thompson

It was a morning of ground mist, yellow sunshine, and high rifts of blue, white-cloud-dappled sky. The leaves were still thick on the trees, but de-spangled gossamer threads hung on the bushes and the shrill little cries of unrest of the swallows skimming the green open park spaces of the park told of autumn and change.
The fields are snowbound no longer; There are little blue lakes and flags of tenderest green. The snow has been caught up into the sky- So many white clouds-and the blue of the sky is cold. Now the sun walks in the forest, He touches the bows and stems with his golden fingers; They shiver, and wake from slumber. Over the barren branches he shakes his yellow curls. Yet is the forest full of the sound of tears.... A wind dances over the fields. Shrill and clear the sound of her waking laughter, Yet the little blue lakes tremble And the flags of tenderest green bend and quiver.
I sit beside the fire and think of all that I have seen, of meadow-flowers and butterflies in summers that have been; Of yellow leaves and gossamer in autumns that there were, with morning mist and silver sun and wind upon my hair.
Outside the leaves on the trees constricted slightly; they were the deep done green of the beginning of autumn. It was a Sunday in September. There would only be four. The clouds were high and the swallows would be here for another month or so before they left for the south before they returned again next summer.
I let my head fall back, and I gazed into the Eternal Blue Sky. It was morning. Some of the sky was yellow, some the softest blue. One small cloud scuttled along. Strange how everything below can be such death and chaos and pain while above the sky is peace, sweet blue gentleness. I heard a shaman say once, the Ancestors want our souls to be like the blue sky.
Their love as a dragonfly, skimming over echo park, stoppin to visit the lotus. Eating dreams and drinking blue sky.
Mr. Jamrach led me through the lobby and into the menagerie. The first was a parrot room, a fearsome screaming place of mad round eyes, crimson breasts that beat against bars, wings that flapped against their neighbours, blood red, royal blue, gypsy yellow, grass green. The birds were crammed along perches. Macaws hung upside down here and there, batting their white eyes, and small green parrots flittered above our heads in drifts. A hot of cockatoos looked down from on high over the shrill madness, high crested, creamy breasted. The screeching was like laughter in hell.
Variations: II Green light, from the moon, Pours over the dark blue trees, Green light from the autumn moon Pours on the grass ... Green light falls on the goblin fountain Where hesitant lovers meet and pass. They laugh in the moonlight, touching hands, They move like leaves on the wind ... I remember an autumn night like this, And not so long ago, When other lovers were blown like leaves, Before the coming of snow.
The rains tumble down in the sky, Young swallows have learned how to fly, The leaves that were green are no longer so green, And it looks like the summer is over.
If I were to choose the sights, the sounds, the fragrances I most would want to see and hear and smell--among all the delights of the open world--on a final day on earth, I think I would choose these: the clear, ethereal song of a white-throated sparrow singing at dawn; the smell of pine trees in the heat of the noon; the lonely calling of Canada geese; the sight of a dragon-fly glinting in the sunshine; the voice of a hermit thrush far in a darkening woods at evening; and--most spiritual and moving of sights--the white cathedral of a cumulus cloud floating serenely in the blue of the sky.
At present I absolutely want to paint a starry sky. It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens. If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance. And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky.
What birds were they? (...) He listened to the cries: like the squeak of mice be- hind the wainscot : a shrill twofold note. But the notes were long and shrill and whirring, unlike the cry of vermin, falling a third or a fourth and trilled as the flying beaks clove the air. Their cry was shrill and clear and fine and falling like threads of silken light unwound from whirring spools.
She sat down on one of her grandmother's uncomfortable armchairs, and the cat sprang up into her lap and made itself comfortable. The light that came through the picture window was daylight, real golden late-afternoon daylight, not a white mist light. The sky was a robin's-egg blue, and Coraline could see trees and, beyond the trees, green hills, which faded on the horizon into purples and grays. The sky had never seemed so sky, the world had never seemed so world ... Nothing, she thought, had ever been so interesting.
People don't remember each tree in a park but all of us benefit from the trees. And in a way, artists are like trees in a park.
No lake is beautiful without the sky, without the mist or without the trees and the autumn leaves! No beauty is beautiful in itself!
I love the chill October days, when the brown leaves lie thick and sodden underneath your feet ... the evenings in late autumn time, when the white mist creeps across the fields, making it seem as though old Earth, feeling the night air cold to its poor bones, were drawing ghostly bedclothes round its withered limbs.
In blue Light nature space the whole world, wide grazing land, the open spaces wind across the land and the sky, blue, high
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