A Quote by Florence Pugh

Every time 'Lady Macbeth' and everyone involved in the film gets nominated, it's amazing. — © Florence Pugh
Every time 'Lady Macbeth' and everyone involved in the film gets nominated, it's amazing.
The first time I saw 'Macbeth' was not the entire play. It was at acting school, and this student was working on Lady Macbeth's soliloquy. I felt something very special, and I knew then that I would one day experience Lady Macbeth, but I always thought it would be on stage and in French.
The biggest thing about 'Lady Macbeth' is the fact that people are so surprised that this woman is so amazing, and really, it shouldn't be so amazing that this incredible character is on our screens.
I want to play Lady Macbeth. I have a big chip on my shoulder about Lady Macbeth. People usually play her as this cold, Greek witch, but there's no evidence of that in the text! I think her intentions are pure.
A real blockbuster is one where everyone, from a small technician to a distributor, gets profits. The true success of a film is when every person involved is happy.
To mankind in general Macbeth and Lady Macbeth stand out as the supreme type of all that a host and hostess should not be.
I want to be evil! I did play Lady Macbeth on stage to Alec Baldwin's Macbeth back in New York in 1998. But I've played a lot of characters who are so righteous and understanding. I don't want to be a goody-goody two-shoes all the time.
I think 'Macbeth' was a play that I've always gotten so much out of. My wife played Lady Macbeth in a play, and I designed it. There are things in there that are just kind of extraordinary.
Well, it was the beginning of my film career. It was amazing to me that I got nominated for an Academy Award.
Every movie that I've picked, from my first film on, has been considered by everyone to be 'career suicide.' And I have an amazing life. I have an amazing career. I work with artists. But I'm not making 'Spider-Man.'
Every film, every fight choreographer, wants to have a different flair, have a different fight technique. So any film I've done that involved weapons has always been fascinating because everyone is different.
Film work can be anything from just really hard and stressful and you're subjected to really weird deadlines to really draconian and weird and disconnected. You're working in service of the thing, and that can be really amazing for everyone involved, or be kind of just a waste of time.
It was amazing to be nominated by the Academy who saw fit for me to be nominated for best supporting actor. The Critic's choice award was wonderful. I'm on cloud nine.
I have such a great thing I want to do with Lady Macbeth - make her one of the witches - and I have this whole thing where she's very light and dressed in pink and dancing Gaelic dances and throwing roses, but then when her husband's coming home, she does incantations and pulls her hair back, puts on a black leather trenchcoat. I mean, I could tear it up if somebody would give me the chance! But do you think someone would ever let me do Lady Macbeth? I doubt it. But I'm going to keep talking about it.
I'd really like to play Lady Macbeth.
If he gets everyone involved, everyone is happy and you have that chemistry and you're winning.
Everyone feels awkward, everyone feels uncomfortable, everyone gets older, everyone gets lonely, everyone gets sick, everyone eventually dies.
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