A Quote by Florence Pugh
I always hate it when I see the wrong person in massive roles, so for me, my biggest fear would be accepting a role I thought I wouldn't find the rhythm of.
Related Quotes
My criterion for accepting a role isn't based on what I would like to do. I try to consider what the audience would like to see me do and I thought kids would adore Star Wars.
There is no hate without fear. Hate is crystallized fear, fear's dividend, fear objectivized. We hate what we fear and so where hate is, fear is lurking. Thus we hate what threatens our person, our liberty, our privacy, our income, our popularity, our vanity and our dreams and plans for ourselves. If we can isolate this element in what we hate we may be able to cease from hating... Hate is the consequence of fear; we fear something before we hate; a child who fears noises becomes the man who hates them.
I always think I'm terrible. So it's always a relief when I find out that I wasn't. I've had roles where I realized that I was in way over my head - and that is my biggest fear.
It's kind of my biggest fear: thinking I know somebody I'm going to be, and then I don't. It's probably only happened to me once or twice, but that was enough for me to definitely not do a role unless I 100% can be that person.
A role I grew up with and always loved was James Bond. I'd even say, in some ways, that he served as a creative role model for me as a kid in terms of roles I would want to play. I watched all of the movies growing up with my dad, so to be Bond himself would, without a doubt, be my dream role.
Fear can make you do more wrong than hate or jealousy... fear makes you always, always hold something back.
I was always a funny person. I thought I would play some good ball, and the Harlem Globetrotters would see me, and that would be it - fame.
I like playing an array of different roles. From the fun, comedic roles to the serious roles. It's always fun to play the role that either closely represents your own personality or the role that is completely opposite of yourself.
It’s wrong to hate. It always has been wrong and it always will be wrong! It’s wrong in America, it’s wrong in Germany, it’s wrong in Russia, it’s wrong in China! It was wrong in two thousand B.C., and it’s wrong in nineteen fifty-four A.D.! It always has been wrong, and it always will be wrong!
Nobody ever thought of me as dumb. They always knew me as cerebral, a thinking person. Educated and so on. But I was always given glamorous roles.
As an artist, and for me personally, my biggest fear is categorization. I hate the idea that I would become someone who says that "this is what I do and now that's what I am." What I really feel like is an explorer. I want to continue exploring my brain cave and see what's there, you know? And I don't want to just stay in one cave.
My immediate family was always very supportive. It was my own fear of the rest of the world not accepting me, the rest of our society not accepting my wish to be an actor.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
I think when I first started acting there were different people who I thought, 'I want that person's career or that person's career.' And as time has gone on, it's become really clear to me what is important to me; getting the best roles, the roles that I feel are challenging and scary and that I haven't done yet.
I so find Harold Pinter and David Mamet's writing to be exciting, and obviously there aren't that many female - at least with Mamet, there aren't that many good female roles. But I always thought it would be interesting to play one of the guy roles.
They told me I would find it difficult to find work because of the way that I look and they weren't wrong. [laughs] I thought, "Well, I'll prove you wrong" because I genuinely believed that the world was a more diverse place than they perhaps viewed it to be.
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