A Quote by Florence Welch

The only music I was listening to for ages was old soul. So I wasn't listening to a lot of new music - especially indie music. — © Florence Welch
The only music I was listening to for ages was old soul. So I wasn't listening to a lot of new music - especially indie music.
When I was younger, I was listening to a lot of Armenian music, you know, revolutionary music about freedom and protest. In the 70s I was listening to soul and the Bee Gees and ABBA, and funk.
I always really loved soul music but all my friends were into the new romantic scene. I'd go to new romantic clubs and then go home and listen to soul music. I was sort of ashamed of listening to disco and soul music!
Life is like music for its own sake. We are living in an eternal now, and when we listen to music we are not listening to the past, we are not listening to the future, we are listening to an expanded present.
I grew up listening to a lot of emo music, a lot of rock music, a lot of rap music, a lot of trap music, funk, everything.
The main difference between listening to music on a computer and listening to music on vinyl or disc is not sound quality or even portability; it's that when you listen to music on a computer, you listen to music on the same instrument you use to acquire it.
I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I didn't really understand that kind of music. I was listening to country music and was heavily into Hank Williams, bluegrass, and Bob Dylan. So I just decided I really needed to understand what this music I was hearing in the clubs was all about.
I grew up listening to a lot of hiphop music and R'n'B. Bands like A Tribe Called Quest, De La Soul, Big Daddy Kane, Boogie Down Productions, Cypress Hill, New Edition, Bob Marley, Prince, Stevie Wonder, and a lot of Spanish music.
I grew up listening to a lot of Malaysian pop music, which is kind of like a mixture of traditional and pop... I was also listening to a lot of English music as well.
So when I'm listening to music, I'm listening to a lot of hip-hop to be inspired and to hear new things.
I grew up listening to a lot of soul music, and a lot of folk music.
Christian music was music that I grew up listening to that I can't say has had much of an impact on anything I have done in my adult life. Maybe Christianity has, but certainly not the bullshit Christian music I was listening to when I was 12. To me there's not much substance in that music. I don't have a message or anything.
People are making a lot of music and higher and higher quality. I can't say the same thing for how people are listening to music. People are hearing music through terrible speakers, little computer speakers, there's a lot to get back to in terms of hi-fi and people listening to better quality, technically better quality music.
When I came home my parents were listening to Pakistani Qawwali music, like Nusrat Fateh Ali Khan, they're listening to music from Mali, like Ali Farka Toure, they're listening to Brazilian songwriters, like Gilberto Gil, to opera, to Neil Young even, things you don't hear as a kid in Caracas. I love all the music they turned me onto.
I grew up listening to a lot of player-piano music in my house and a lot of old Tin Pan Alley songs and American standards. My dad listened to a lot of traditional Irish music and I grew up doing musical theater. So most of the music I was exposed to as a kid was pre-rock n' roll.
My concern with this approach is that music becomes a substance devoid of people. It's a consumer model of what music is: subjects listening to objects. For me, music is subjects listening to subjects. It's about intersubjectivity.
The problem with listening to music today is that there's so much of it everywhere. We've got used to hearing music without actually listening to it.
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