A Quote by Florence Welch

A lot of the songs on the new album are about imaginary things, things that you can't touch - ghosts and rumors, my dead grandmother, things visiting you in a dream. — © Florence Welch
A lot of the songs on the new album are about imaginary things, things that you can't touch - ghosts and rumors, my dead grandmother, things visiting you in a dream.
I dream of big things. I work for the small things. If you're going to dream, you might as well dream big. A lot of that came from my mother. She was adamant about the work ethic---about how you can't just dream things.
There are rumors, rumors, rumors. I'm always the last one to know about these things, literally.
The thing about new things is you feel new when you buy them, you feel as though you are somebody different because you own something different. We are our possessions, you know. There are people who get addicted to buying new stuff. Things. Piles and piles of things. But the new things become old things so quickly. We need new things to replace the old things.
I grew up listening to topical music - songs that were about things. So when I write songs, a lot of the time, they're about the things weighing on my heart that I want people to think about.
I'm definitely seeing more and more new people at shows, which is exciting. It's nice for me, because it's a fresh start. I don't feel as obligated to play old favorite songs - it feels like I'm free to try new things because I'm meeting people for the first time. But there's a lot of people who are showing up and they know all the words to the first album and they're requesting songs from the second album.
It's hard to say what an album is about - because each one is usually about a lot of things to me, but then I hope it also can mean a lot of different things to someone else. That's the beautiful thing about music.
I'm not really allowed to talk about the Dead though. I think when we are at our best, we definitely do things that the Dead or no other band could do. We explore things and take things to the extreme.
The ghosts of things that never happened are worse than the ghosts of things that did.
I probably could have gone in depth about a lot of things, but then the album would've been longer. You can't have a short album when you're talking about suicide and cocaine. That's not going to be a short album.
Dead people never seem to address the obvious - the things you'd think they'd be bursting to talk about, and the things all of us not-yet-dead are madly curious about. Such as: 'Hey, where are you now? What do you do all day? What's it feel like being dead? Can you see me? Even when I'm on the toilet? Would you cut that out?'
Write about what really interests you, whether it is real things or imaginary things, and nothing else.
One of the strange things about imaginary food is that it allows us to take pleasure in reading about things that we would never want to eat in real life.
I have a lot of reactions to the outside world that I don't feel like would be appropriate for songs: things I'm not interested in writing about, things I don't want to think about any longer than 15 or 20 seconds.
One of the things that I loved about working on that first album was working with Billy Mann, who produced the album, and all the people who worked to finish it. Just seeing how they did things and learning.
One of the most delightful things about gardening is the freemasonry it gives with other gardeners, and the interest and pleasure all gardeners get by visiting other people's gardens. We all have a lot to learn and in every new garden there is a chance of finding inspiration - new flowers, different arrangement or fresh treatment for old subjects. Even if it is a garden you know by heart there are twelve months in the year and every month means a different garden, and the discovery of things unexpected all the rest of the year.
We've accumulated a lot of things over the years and many things from our grandmother. Hopefully it'll be all right. I really don't want to cry, but I can't help it.
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