A Quote by Florence Welch

The sense of jubilee for music and what we're making is always genuine. — © Florence Welch
The sense of jubilee for music and what we're making is always genuine.
The great thing about Priest, in all the years that we've been making heavy metal music, is that we've always kind of carried this metal flag, if you will - this beacon of hope that, no matter what you may be going through in life, there's always a sense of overcoming difficulties, a sense of winning, a sense of coming out on top.
Earlier we used to enjoy films for 25 weeks, Silver jubilee, and Golden jubilee; but now it takes only 3 days to recover the cost.
That is the music that I have always wanted to play: real, genuine guitar music.
In my dorm room, I was a hermit making music, I've always had a sense of urgency that I don't have forever to make this happen.
I keep making the music I do because I feel very purposeful about making things that would be helpful or quell some loneliness in people. I really needed that when I listened to music growing up and even now, so I don't mind that sense of duty.
I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.
I think touring is an important part of the life of an orchestra. Not only sharing with other audiences, but bringing that sense of family that you get back home. The sense of growing deeper into the music, of making it all sound like chamber music - that comes from being together on tour.
I feel like fashion and music relate to each other in a lot of ways. I always had to be creative: I'm a very creative person. I always liked making stuff. Apart from music, I always liked making clothes. You're able to express yourself.
I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.
I approach my music-making as an art-form--something pure from the spirit to which I can add dynamics and marketable reality. Music is genuine and healthy and the stimulation I get from molding it and adding dynamics is like nothing else on earth.
I have a very genuine care for individuals; I have a very genuine sense of the power of individuals to make a difference, a very genuine belief that people matter, a very genuine belief of wanting the very best for individuals.
I'm open to making any kind of music, or maybe making no music ever again. That's also an option, always. Who knows what'll happen.
I just love making music. I always stay in the studio. Making music is my main focus.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
I like to believe a true fan of music or an artist has a genuine respect for what the artist does and has a distinct understanding of their actions. In that buying an album they are helping the artist to continue making music. It's hard because everyone wants something to be free.
I have always loved the process of making the music, reading the letters from the fans who get married to my music, have children to my music and play my music at their funerals.
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