A Quote by Florence Welch
The first album, for better or for worse, was done over from the ages of 17-22, with a couple of different producers. Some of it was recorded in an old swimming pool, some of it was recorded in a synagogue - it kind of was all over the place.
Related Quotes
In 1966 I recorded my first bolero album. I was about 18 years old then and I recorded it because I wanted my parents to know that I hadn't lost my identity of being Latino.
I'm constantly revising and updating a piece until it's finally recorded. Once it's recorded, then it's over.
Every record has been very different, so I can't really compare them. The first record was good. I originally recorded about half the songs on that one in 2003 or something, and then I went back a few years later and re-recorded them and added some other songs.
The first record we made, we recorded and mixed in a day. The second record was recorded and mixed in a week. The third was recorded and mixed in a month, and 'New Wave' was mixed and recorded in six months. It was an epic project.
Some guys record an album with songs that are filler. I recorded this album like it was my last.
The Shades never recorded anything, Little Daddy and the Bachelors recorded a couple of records, ya.
The first time I recorded without Allen Toussaint, I wanted to do doo-wop. Everything I've done since then has got some kind of doo-wop essence in it.
There were some things I was going and doing in Europe a little bit. Some festivals that brought me over. That was good. Some touring I did over there. But there was nothing major [from 22 to 29].
That's part of the comedy, too, is we do have jokes throughout of hanging a lantern on the absurdity of the world. Like, when BoJack's flying over the neighborhood, you see some houses have swimming pools in the backyard, and what does that mean? Why would there be a swimming pool underwater? But we thought it was funny.
I've recorded a few Bacharach songs over the years and performed some in concert and always felt they suited me.
When you did impressions on 'MADtv,' the producers gave you a Walkman that played huge sections of whatever movie was being parodied, with your character's catchphrases recorded on a loop. You'd wear this thing around during rehearsals and for a week listen to the voice you had to impersonate over and over again. It drove all of us crazy.
I emigrated to the U.S. on February 3, 1983, when I was 19 years old. I joined Steeler right away and recorded the album the following month. I'd been playing in bands in Sweden since the age of 11, but 'Steeler' was my first album.
I was three over. One over a house, one over a patio, and one over a swimming pool.
I've started a little independent record label called 'Six String Productions' and recorded a couple of tunes, and I hope to do some more with some future artists next year. It's a real passion project of mine.
When I made 'Real,' I recorded it over the phone in prison. I did it in a week. I had no idea what it was going to sound like. I couldn't even listen to the masters before it came out, I couldn't listen to 90% of the beats. I recorded 21 songs in seven days.
Several of us linguists at that time would record our own kids, just to get some data. There was some literature on it then, but no day-by-day, blow-by-blow examples. I recorded all my children over the years in some shape or form. It's what linguists do. You don't talk to a linguist without having what you say taken down and used in evidence against you at some point in time.
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