A Quote by Florence Welch

'Dog Days' was recorded with pens and the wall, and half a stolen drum kit that was out of tune, in what was basically a cupboard. The only instrument I could really play was my voice, so we just layered everything a hundred times. It was enthusiasm over skill.
It's hard to sing really well when you're playing an instrument, but it'd be great to try and sing really well and have vocal effects and one drummer on a real drum-kit, and one on an electronic kit.
When you play the 12-string guitar,you spend half your life tuning the instrument and the other half playing it out of tune.
When you play the 12-string guitar, you spend half your life tuning the instrument and the other half playing it out of tune.
I like to use my voice as an instrument and just play along with the music. That's really how I tend to my voice. The content usually comes after or during that process of just trying to be an instrument.
Everyone knows deep in their hearts that the drums are the coolest instrument, and that a band is only as good as its drummer. So I'm all for drum solos. I'm all for drummers hamming it up. I'm all for drummers standing up and kicking over the kit.
Switch to piano! No. Really, if you like an instrument that sings, play the saxophone. At its best it's like the human voice. Of course, it would be best if you could actually sing with your own voice. The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. Therefore, the challenge is to sing on an imperfect instrument or 'voice' that is outside of your body. I love that challenge and have for over forty-five years. As far as playing jazz, no other art form, other than conversation, can give the satisfaction of spontaneous interaction.
I hadn't had that much time practicing behind the drum kit. I've spent an inordinate amount of time listening to and programming drum parts, but it's completely different. One of the beautiful things about using a sampler is since you are so detached from traditional technique, you're forced to have a macro perspective of the project. With an instrument, it's the opposite. With drums specifically, there's nothing that provides more instant gratification and nothing that's funner to play.
In old age our bodies are worn-out instruments, on which the soul tries in vain to play the melodies of youth. But because the instrument has lost its strings, or is out of tune, it does not follow that the musician has lost his skill.
The only time I can ever remember Steven crying over any of it was after my treatment, when I tried to use my foot on his bass drum pedal, and we realized I could never play a drum set.
You speak into it and everything is recorded, voice, tone, intonation, everything. You turn a little wheel, and forth it comes, and can be repeated ten thousand times. Only fancy what this suggests.
One of my dreams was always to play alongside my father but I never got the chance because we only had one drum kit at home.
I used to play trumpet when I was a kid, and then I got braces, and I couldn't really play it anymore, so sometimes I wish I could still play that; I think it's a great instrument, so maybe one of these days I'll pick it back up.
When you record, you live with what you recorded for many many years, but when you play it's just an hour and a half and then once it's over it's over.
What it is now is basically, I'll sit on my computer; I basically kind of play the computer as an instrument, I guess you could say. I guess I play the Mac. And how it works is, say - I have a program called 'Ableton Live.' And, you know, you'll open it up, and it's just blank. There's nothing there. And then you start.
With that incredible voice that he [Alan Rickman] could play like a sort of wonderful instrument, like a cello or something. He played his voice, and he could be the most subtle of actors. And he could also be quite a big actor. He could do the grandiose performances as well.
I get to play what I'm feeling on my solo records, and I get to bang the hell out of a drum kit in Black Sabbath.
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