A Quote by Florence Welch

I always wanted to sound like a man, like Jeff Buckley or Tom Waits. — © Florence Welch
I always wanted to sound like a man, like Jeff Buckley or Tom Waits.
I'd love to do a song with Tom Waits. Around when I was like 17 or 18, my buddy, D-Money, put me on the Tom Waits and I literally at that point got every one of his albums and kind of studied his music. I like that he provides an entire world for the listener. He's hopefully someone that I could vibe with down the line. I'm not sure how it would sound or even how it could work, but he's always been a huge influence.
I was obsessed with Jeff Buckley for a while - I was convinced that Jeff Buckley and I were communicating with each other through time.
I was very aware of Jeff Buckley. My brother actually bought me The Mamas And The Papas and Jeff Buckley for my birthday when I was in my early teens.
I like many different kinds of music. My favourite band is Radiohead, and I'm also a giant Jeff Buckley fan.
When I'm in the car sometimes it's like, 'Yeah, man, just put on the pop music.' You know what I mean? I don't want to listen to Tom Waits.
People like Jeff Buckley, the Mars Volta and Bjork made me listen to music differently. You learn the voice is an instrument you can do crazy things with.
I heard Tom Waits in this kinky shop on Belmont Street in Chicago. Considering the way I was raised, they were such obscure voices, but their music saved my life - I didn't know who I was before I heard Bob Dylan and Tom Waits.
I can count on one hand the people who are legendary in my book, and Tom Waits is certainly right at the top. It's funny, though: When I tell people that I like Tom's music, it surprises them.
I got to watch my heroes meet him and saw how they reacted, whether it was Joe Strummer or Tom Waits. It was peculiar. I'm so stoked to meet Tom Waits, and he's so nervous to meet my dad. It's a head spin.
It's sort of cheesy to introduce that to the drums - those dings and dongs and bell sounds. That's definitely one of the reasons people are like 'oh yeah, they sound like Tom Waits, with those trashcan drums.' But at the same time, it sounds so good! And it introduces this... I mean, it's not tuned, but somehow it adds this extra layer of melodic texture.
People tend to believe that I want to make soul music, which is not entirely untrue but, really, I want to be like the black Tom Waits - I don't want to make one kind of sound.
Here's one measure of the man and the scope of his achievement: No serious historian will be able to write about 20th-century America without discussing Bill Buckley. Before Buckley, there was no conservative movement. After Buckley, there was Ronald Reagan.
Biggest musical influences would be people like Nina Simone and Tom Waits. A huge amount of writers like Leslie Feist and Paul Simon.
Leonard Cohen can give you "Leonard Cohen" - the self-deprecating wit, the slow, considered speech, the perfectly-honed anecdote - Tom Waits is far more comfortable giving a journalist "Tom Waits" the character, whose conversation is really a series of strange tales, learned or ad-libbed.
I actually prefer female voices to listen to, mostly, but among the male singers whose voices I like are Jeff Buckley, Art Garfunkel, that sort of voice. Contemporary crooners rather than rockers.
Jeff Buckley songs are kind of random but so catchy.
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