A Quote by Florence Welch

I try to write lyrics so that they won't age, which sort of leaves you with the big subjects like death and love and sex and violence. — © Florence Welch
I try to write lyrics so that they won't age, which sort of leaves you with the big subjects like death and love and sex and violence.
The same authorities who insist upon beginnings, middles, and ends, declare that Great Literature (by which they mean the stories they have been taught to admire) is about love and death, while mere popular fiction like this is about sex and violence. One reader's sex, alas, is another's love; and one's violence, another's death.
I never write a tune before the lyrics. I get the lyrics and then I write around them. Some people write music and the lyrics come along and they say, 'Oh yeah, I've got something to fit that.' If that's the way people write songs, I feel like you might as well just go to the supermarket.
It's not an anti-sex trip. Like, we're taking sex, which is probably another half of American entertainment, sex and violence, and we're projecting it, and we're saying this is the way everything is right now.
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development.
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development
I write of love and death. What other subjects are there?
Of all the intellectual faculties, judgment is the last to mature. A child under the age of fifteen should confine its attention either to subjects like mathematics, in which errors of judgment are impossible, or to subjects in which they are not very dangerous, like languages, natural science, history, etc.
We tried to make a movie that had sex and violence because we like sex and violence.
One of the biggest challenges of writing for middle-grade or even young-adult readers is that I don't want to have too much violence in it - which really limits what you can do. It's important that they're not just bloodbaths or glorifying violence. I always try to show that a person who dies leaves a hole. There's grief in my books.
Abortion occurs so frequently in my stories. Abortion sort of synthesizes both sex and death. To have sex and death placed as close to one another as possible is always a goal of mine.
I write the music because I can't really write lyrics. But I can write chords like Robin's never heard of. So I provide the music for them to add the lyrics to.
There is a diverse meaning to the lyrics as well. A lot of the stuff I write is from a personal level but is not really anything that I care about if people get or not so I write alot of the stuff as metaphors based in Viking mythology and Viking History which is sort of my main interest in life and sort of my main atmosphere in life.
I really have no idea where the darkness comes from. Other writers have said that there are two subjects worth writing about, love and death; and since I'm a complete flop when it comes to love, I chose death. Too, maybe because of where I came from, I do find it easy to empathise with and write about certain groups of damaged or downtrodden people: the poor, the addicted.
Because I was into like proving myself, which was one of the big things that ah, that the whole military experience sort of offers a kid at that age, um, I went to officer candidate school. Um, and I graduated as a second lieutenant at the age of nineteen.
My forte is playing along and singing along to music I love. I mean, who knows, maybe I could develop that knack or develop that ability to write, and I do actually co-write with people and friends, which is fun, too, because then I don't have to worry about writing lyrics, because for me writing lyrics is impossible.
Non-violence confronts systematic injustice with active love, but refuses to retaliate with further violence under any circumstances. In order to halt the vicious cycles of violence, it requires a willing acceptance of suffering and death rather than inflicting suffering or death on anyone else.
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