A Quote by Florence Welch
I've always been attracted to romantic secondhand clothes. But my style developed as I started going to these strange raves where everybody had these very definitive costumes.
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I've been into clothes since I was a kid, going to garage raves and seeing all the Tottenham gangsters wearing Moschino and Versace; I just always had a passion for it.
You should really stay true to your own style. When I first started writing, everybody said to me, 'Your style just isn't right because you don't use the really flowery language that romances have.' My romances - compared to what's out there - are very strange, very odd, very different. And I think that's one of the reasons they're selling.
Someone's going to put the clothes on you, and part of being an actor is wearing costumes. Costumes tell you an awful lot about who you are, so you just, it's nothing.
My technique is laughable at times. I have developed a style of my own, I suppose, which creeps around. I don't have to have too much technique for it. I've developed the parts of my technique that are useful to me. I'll never be a very fast guitar player. I don't really know what to say about my style. There's always a melodic intent in there.
You know, comments about style always seem strange to me - 'why do you work in this style, or in that style' - as if you had a choice in the matter... What you're doing is trying to stay alive and continue and not die.
The thing that always attracted me to New York was the sense of being in a place where a lot of people had a lot of stories not unlike mine. Everybody comes from somewhere else. Everyone's got a Polish grandmother, some kind of metamorphosis in their family circumstances. That's a very big thing - the experience of not living where you started.
I had an appreciation for clothes and style starting at a young age, my mom was always very fashionable and I loved playing dress up in her closet. So I think my passion for design was always there.
The thing that always attracted me to New York was the sense of being in a place where a lot of people had a lot of stories not unlike mine,' Rushdie says. 'Everybody comes from somewhere else. Everyone's got a Polish grandmother, some kind of metamorphosis in their family circumstances. That's a very big thing - the experience of not living where you started.
I started writing books and making clothes for my dolls when I was around 10 as a way of making my reality exciting. When I went out to play with friends, I always arranged elaborate sets and costumes.
I have always had a very smooth driving style. But when I started competing as a disabled driver, I had to take that even more to the extreme.
The times I've had in Vegas have been very memorable and very strange. I find it to be a weird, kind of hyper-reality city... everybody I've met who is from there is usually really interesting.
Katwe is fifteen minutes from my home. It's entirely about knowing it from the inside. For instance, the incredible vibrancy of style. Kampala is the center of used clothing in the world. Everyone dresses in secondhand clothes, but they look astonishing for it.
I got a job as soon as I could - 11 or 12. I started babysitting and then I got a part-time job at a pharmacy in England. I just remember loving the feeling of going out and buying my own clothes! I'd go bargain-hunting and get secondhand vintage stuff.
Although the stories are very present in my book, and very present in my mind, what I was most interested in was the question of why it had attracted such a following in the 18th Century. It's less mysterious that it attracted a following in the Romantic period, and in the 19th Century, but the early 18th Century when the Rationalists fell in love with it...that was mysterious. What I wanted to look at was the forms of enchantment.
When I first started out, I was really attracted to having my own sense of style because I started swing dancing, lindy hop, and jitterbug.
To write a novel is to embark on a quest that is very romantic. People have visions, and the next step is to execute them. That's a very romantic project. Like Edvard Munch's strange dreamlike canvases where people are stylized, like 'The Scream.' Munch must have had that vision in a dream, he never saw it.
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