A Quote by Florence Welch
When I am with my family, then I can just sort of switch off. It's kind of weird, because I go back and I go into this bedroom that I have had since I was a teenager. It is like this parallel universe, because one minute I am on the red carpet and then the next I am hiding out in this room I have had since I was 15.
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I'm happier on the runway than I am on the red carpet. Because then I am not being myself. I think, on the red carpet, it's a weird, like, 'Who am I? Am I me? Am I them?'
When I [first] went to university, I was doing foreign languages, because I had done them since I was 13 years old. I had done French and German. I picked up Italian, just sort of blasted through the exams, [and then] took off overseas, because I wanted to be an actor. I thought, "I'm just not academic." I'm not very competitive, in terms of acting. But since going back to university, I've realized, I am highly competitive.
(On upcoming racing plans) Right now I am going to go back into training and then I am going to resurface and do the BAA Mile, The Boston Mile, and then I am going to do the USA Championships Mile out in Des Moines, Iowa. Then it is either going to be between The Penn or Drake Relays and then I will go back into training again and start another kind of session.
It's so scary. And then I end up getting so nervous that I get like [I am] now. I get really hyper. [Squeals.] So then I go in interviews and I'm like, 'I'm like a chihuahua! I'm shaking and peeing!' And then afterwards, I'm like, 'I just talked about peeing on the red carpet.'
I go on the bus, I walk. A friend left his car recently at my house and I took it out one day just for 15 minutes and it was terrible. You know why? I felt like I was back in LA again. Four or five years ago, when I had a car and I had been out of the city I wouldn't feel I was back until I got in the car, you know. But now I feel off the grid. I feel that I am not part of the culture. And because I don't have a car I don't really go anywhere to buy things. In fact, I have been in a slow process of selling and giving away everything I own.
I think my greatest insecurity would just be standing in the middle of the room and having everyone watching me thinking that's what I want. If I am interesting to you because of who I am, then that's incredible. But if I'm interesting to you only because of what I am, then let's not bother, you know?
I haven't read all of The Witcher novels. And that's only because I am very thorough. I read every detail and often have to go back to the page before and read it again, and I ask questions as I go along, since I am that character.
I had wanted to come back to Greenwich Village ever since I had left Waverly Place, and since moving to West Eleventh Street, I have never lived anyplace else. I do not want to. That is not because of what the Village is but because of what I have made it, and what I have made it depends on who I am at the time.
In the course of my movies, the financing and the releasing were always the tough part. Because I loved the creative, I loved the writing, I loved the making of it. Because I guess, I never had the giant blockbuster, I never got that sort of ease for the next one. So the next one was always, "how am I going to do this?" And that thing was sort of always the thing that made me a little chickenshit to go into the next one. The writing of it was great and the making of it was great, but how am I going to release this thing and am I going to find a studio?
But if I'm it, the last of my kind, the last page of human history, like hell I'm going to let the story end this way. I may be the last one, but I am the one still standing. I am the one turning to face the faceless hunter in the woods on an abandoned highway. I am the one not running but facing. Because if I am the last one, then I am humanity. And if this is humanity's last war, then I am the battlefield.
If you are the lantern, I am the flame; If you are the lake, then I am the rain; If you are the desert, I am the sea; If you are the blossom, I am the bee; If you are the fruit, then I am the core; If you are the rock, then I am the ore; If you are the ballad, I am the word; If you are the sheath, then I am the sword.
If you believe what you are on the red carpet, then you would have to go see a doctor, and there are so many actors like that. You have to know very well this is a moment of glamour, and when I go back home, I don't have the airbrush, and I have dark circles because I don't have the make-up on.
Since I was , I've had that feeling of, 'Am I enough? Am I worthy? Am I supposed to be here?' And my culture and society is telling me that I'm actually not in a lot of ways - unless I have this amount of money, or I'm in this kind of car and I have this kind of job, or I'm famous, or whatever.
I am alone, I am all alone, I am completely alone. Grasping this reality, I let go of my bag, drop to my knees and press my forehead against the floor. There, I offer up to the universe a fervent prayer of thanks. First in English. Then in Italian. And then - just to get the point across - in Sanskrit.
Maybe nothingness is to be without your presence, without you moving, slicing the noon like a blue flower, without you walking later through the fog and the cobbles, without the light you carry in your hand, golden, which maybe others will not see, which maybe no one knew was growing like the red beginnings of a rose. In short, without your presence: without your coming suddenly, incitingly, to know my life, gust of a rosebush, wheat of wind: since then I am because you are, since then you are, I am, we are, and through love I will be, you will be, we will be.
I don't worry too much about what people think about my image, but I think I am pretty polite. My colleagues say I am a gentleman in my dealings with them, even when I disagree. I am difficult because I won't back off on things like the pay raise and the anti-terrorism bill. I'm not a go-along kind of guy. I do respect the institution. I do respect my colleagues. But I didn't go to Washington to make friends. That's not where my friends are.
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