We are more like vehicles, a part of our mensch machine, our man-machine. Sometimes we play the music, sometimes the music plays us, sometimes... it plays.
Barcza is the most versatile player in the opening. He sometimes plays P-KKt3 on the first, sometimes on the second, sometimes on the third, and sometimes only on the fourth move.
Motocross might be more dangerous because it's hard to tame the machine sometimes. Wrestling, you're dealing with yourself and your own body, but when you're trying to tame the machine, that sh*t can be kind of hard sometimes.
Every work is completely different. Sometimes the music is first, sometimes it's parallel, and sometimes the music is after. There's no rule. Music goes differently to your emotions. With music you can create different spaces and feelings easier than you can with the visual - maybe not easier, but in a way, it's more seductive.
Music is multi-dimensional: it's all in the feeling. Sometimes I feel like looping; sometimes I don't. Sometimes I want to strip it back, play instruments I've never played before.
Stories are like genies...They can carry us into and though our sorrows. Sometimes they burn, sometimes they dance, sometimes they weep, sometimes they sing. Like genies, everyone has one. Like genies, sometimes we forget that we do. Our stories can set us free...When we set them free.
We have a demon, we have an angel inside, within our souls, and you just play with it, and sometimes the evil part of you wins the battle, in a very important decision, or in a bedtime, with your lover. Sometimes you win, sometimes you lose.
You must in your music be wavering like the wind; sometimes wanton, sometimes drooping, sometimes grave and staid, otherwhile effeminate; and the more variety you show, the better shall you please.
Our moments are music, and sometimes – just sometimes – we can catch them and put them into some lasting form. If we didn’t have music, I don’t think we could ever be truly happy, and if we didn’t have special moments, we would never find music.
We all get lost once in a while, sometimes by choice, sometimes due to forces beyond our control. When we learn what it is our soul needs to learn, the path presents itself. Sometimes we see the way out but wander further and deeper despite ourselves; the fear, the anger or the sadness preventing us returning. Sometimes we prefer to be lost and wandering, sometimes it's easier. Sometimes we find our own way out. But regardless, always, we are found.
For a long time, I felt instinctively irritated - sometimes repelled - by scientific friends' automatic use of the word 'mechanism' for automatic bodily processes. A machine was man-made; it was not a sentient being; a man was not a machine.
My approach is to start from the straightforward principle that our body is a machine. A very complicated machine, but none the less a machine, and it can be subjected to maintenance and repair in the same way as a simple machine, like a car.
Sometimes, when you do the music for a play, there are very clear boundaries as to what needs to be achieved. You're very much a little cog in a much bigger machine.
... regard this body as a machine which, having been made by the hand of God, is incomparably better ordered than any machine that can be devised by man, and contains in itself movements more wonderful than those in any machine. ... it is for all practical purposes impossible for a machine to have enough organs to make it act in all the contingencies of life in the way in which our reason makes us act.
Music’s the soundtrack of my life and has been since I was a teenager. There’s always music. If I’m not playing it, I’m listening to it. With my writing... sometimes it inspires a story, sometimes it highlights something I’m working on, sometimes it simply helps me stay in the narrative mood.
I think, as musicians, our music should be who we are. Sometimes it's not - it's someone else's. All heartfelt music and all honest music, it's who we are. Of course, our upbringing has everything to do with it.
I think we get on with living our lives like everybody else does. Where we're at in music is trying to explain what's going around us either directly or by analogy and trying to create a parallel, an analog, sometimes musical, sometimes dramatic, that might be truthful.