A Quote by Florian Schneider

We are not the band. I am me. Ralf is Ralf. And Kraftwerk is a vehicle for our ideas. — © Florian Schneider
We are not the band. I am me. Ralf is Ralf. And Kraftwerk is a vehicle for our ideas.
As a conscientious objector I did my community service in 1971 in a psychiatric hospital and a friend there, who also was a guitar player, invited me one day to join him recording film music with a band named Kraftwerk which I didn't know at the time. I came along and jammed at this session together with Ralf Hütter and a drummer (I believe his name was Charly Weiß). Florian Schneider and Klaus Dinger were present as listeners and everybody liked the spontaneous music we did together.
I had a fantastic manager in Ralf Rangnick.
It's important as a manager that you feel a club believes in you and your methods. Oliver Mintzlaff and Ralf Rangnick showed me this.
When Ralf Rangnick was in charge, you could see he was out to force a pressing game.
It is clear that the vehicle of the western was a very interesting vehicle for me to contraband some of my ideas.
When I first heard Kraftwerk, I thought they were an American band singing in German.
Kraftwerk isn't a band. It's a concept. We call it 'Die Menschmaschine,' which means 'the human machine.'
Before I joined Kraftwerk in 1971, I played guitar in a band called Spirits of Sound, whose members included (at times) amongst others singer Wolfgang Riechmann (Sky Records released his only solo album Wunderbar shortly after his death in 1978) and drummer Wolfgang Flür (later on Kraftwerk, now solo). The music of S.o.S. in the mid 60's first was the English pop and rock music of the times (Beatles, Kinks, Rolling Stones ).
Your body is a vehicle of your emotions and a vehicle of feelings and a vehicle of whatever you need to get done in life. And you've got to take care of that vehicle.
The Internet is the vehicle we're driving to share our visuals, outrage, and ideas around the world.
Language is not neutral. It is not merely a vehicle which carries ideas. It is itself a shaper of ideas.
I'll come in with a string of riffs and direct the musical ideas. But you still need a band and their input to make the ideas come alive. You can't underestimate band chemistry.
I wasn't looking to be an Indian brass band, but to be a band that reflected my complete identity as an American. The America I was born and raised in intersected with people of all ethnicities and beliefs and that, coupled with my parents' instilling of good values, made me the individual I am now. Within Red Baraat, there are varied musical backgrounds and personalities and that lends itself to many great thoughts and ideas; it's what makes social science, or more precisely, social interaction so interesting to me.
Porcupine Tree is a band, and it's not up to me where the band goes - it's between the manager, our agent, and the band as a whole.
I make judgments about people and ideas individually - for me, parties are just a vehicle of convenience.
We're working on New Glenn, which is our orbital vehicle, but we have in our mind's eye an even bigger vehicle called New Armstrong.
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