A Quote by Floriana Lima

I may have the 'Twilight: Breaking Dawn' soundtrack, which I've been told is embarrassing, but come on, there are some good songs on there. — © Floriana Lima
I may have the 'Twilight: Breaking Dawn' soundtrack, which I've been told is embarrassing, but come on, there are some good songs on there.
The first sequel thing I wrote was this 'Forever Dawn' thing that will never get out, because it's horrid. But it's a really good outline for 'Breaking Dawn' - it's very similar. I knew what I was doing, which is good, because I think if I hadn't, there might have been a lot of pressure.
'Celtic' is a magic bag, into which anything may be put, and out of which almost anything may come. Anything is possible in the fabulous Celtic twilight, which is not so much a twilight of the gods as of the reason.
'Kiss Me.' That's my 'Twilight' tune, a song you'd have on the 'Twilight' soundtrack.
In my last scene in 'Breaking Dawn,' Bella has just died and I run outside and crumple to the ground and just lose it. I'm bawling. That was my last scene of 'Twilight' ever and I definitely had some extra motivation.
Who knows what beautiful and winged life, whose egg has been buried for ages under many concretic layers of woodenness in the dead dry life of society...may unexpectedly come forth...to enjoy its perfect summer life at last!...Such is the character of that morrow which mere lapse of time can never make to dawn...Only that day dawns to which we are awake. There is more day to dawn. The sun is but a morning star.
Well, in Twilight, I started out dying my hair blonde. And then, as the movie progressed, I wore wigs. The wigs went through a transformation. In Breaking Dawn, it's a little longer. That's my arc.
It would be a crime against [Twilight] audience to go R-rated... [Yet the rating] is based on a much more mature book [Breaking Dawn,Stephenie Meyer]. We need to progress and be more sophisticated.
There is a silver lining to every cloud and there's some awesome songs that have come from some really like bad experiences, but they're great experiences 'cause then I've got some good songs so it's all good for me.
The way that I write songs is pretty simple. I hear music first, much like you would when you're scoring a film. I usually hear a soundtrack in my head, and after I get that soundtrack, it tells me what it's about, what it feels like, what the emotion is, and the words come after.
I'm a big collector of vinyl - I have a record room in my house - and I've always had a huge soundtrack album collection. So what I do, as I'm writing a movie, is go through all those songs, trying to find good songs for fights, or good pieces of music to layer into the film.
To be honest, neither 'Satta' nor 'Stumped' needed songs and music. But when we recorded a good soundtrack album, everyone suggested we create credible situations for songs.
Some months ago, while I was preparing a new work, I told a young cinema executive my intention of including in a soundtrack two themes from Bach. But when he asked me which has been the last hit from that Bach?, then I knew that I had no longer place in cinema.
We've been called the soundtrack of people's lives. There have been lots of downs, of course but mostly ups. That EW&F is still clicking at least twenty years on and has a life of its own, that the songs have stayed alive - we're like a good book that people go back to.
I was a songwriter and I've written some good songs, but there are lots of greater songs that I know I have inside yet to come out.
I have the soundtrack for 'A Clockwork Orange,' which is kind of cool. I guess I don't really end up buying a lot of modern soundtracks. Another soundtrack I love is from a French movie called 'Betty Blue.' it has some really melancholy piano work.
I love the balls-to-the-walls rule-breaking approach the Beatles had in the studio (which I emulate), although I don't try to make my songs "sound" like their songs. But every time I crank a knob of some piece of equipment, or plug an instrument into the "wrong" amp/effect, I am channeling the Beatles.
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