A Quote by Florida Scott-Maxwell
Another secret we carry is that though drab outside - wreckage to the eye, mirrors a mortification - inside we flame with a wild life that is almost incommunicable.
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It was the masterful and incommunicable wisdom of eternity laughing at the futility of life and the effort of life. It was the Wild, the savage, frozen-hearted Northland Wild. (Ch.1)
I have been flooded with color on the inside, drab on the outside.
Monarch of earth, I shall confess my secret craft: I've always fought to purify wild flame to light, and kindle whatever light I found to burst in flame.
Perhaps the most important thing we can ever do in our lives is find a way to keep the wild-both the wild inside and the wild outside us-and tap into it.
Although the primitive in art may be both interesting and impressive, as portrayed in American fiction it is conspicuous for dullness alone. Drab persons living drab lives, observed by drab minds and reported in drab writing.
I was then at the height of my two-facedness: that is, outside I seemed one way, inside I was another; outside false, inside true.
You may change your profile picture to Trayvon Martin or Eric Garner, but you will never actually walk the streets the way they have, or systematically had your vertebrae stunted. So you will not walk that shrouded walk unless you're on the inside and you can occasionally nod at another on the inside and that acknowledgement can carry you for a while as it won't come from the outside.
Think of a space in your heart, and in the midst of that space think that a flame is burning. Think of that a flame is burning. Think of that flame as your own soul and inside the flame is another effulgent light, and that is the Soul of your soul, God. Meditate upon that in the heart.
I imagined a psychic pain growing inside him (myself) that demanded some physical outlet. Suicide must have been his attempt to give Pain a body, a representation, to put it outside himself. A need to convert inner torment into some outward tangible wound that all could see. It was almost as though suicide were a last-ditch effort at exorcism, in which the person sacrificed his life in order that the devil inside might die.
They can romanticize us so, mirrors, and that is their secret: what a subtle torture it would be to destroy all the mirrors in the world: where then could we look for reassurance of our identities?
A vast silence reigned over the land. The land itself was a desolation, lifeless, without movement, so lone and cold that the spirit of it was not even that of sadness. There was a hint in it of laughter, but of laughter more terrible than any sadness-a laughter that was mirthless as the smile of the Sphinx, a laughter cold as the frost and partaking of the grimness of infallibility. It was the masterful and incommunicable wisdom of eternity laughing at the futility of life and the effort of life. It was the Wild, the savage, frozen-hearted Northland Wild.
When you carry out acts of kindness you get a wonderful feeling inside. It is as though something inside your body responds and says, yes, this is how I ought to feel.
We have no longer an outside and an inside as two separate things. Now the outside may come inside and the inside may and does go outside. They are of each other. Form and function thus become one in design and execution if the nature of materials and method and purpose are all in unison.
Things outside you are projections of what's inside you, and what's inside you is a projection of what's outside. So when you step into the labyrinth outside you, at the same time you're stepping into the labyrinth inside.
Take an arrow, and hold it in flame for the space of ten pulses, and when it cometh forth you shall find those parts of the arrow which were on the outsides of the flame more burned, blacked, and turned almost to coal, whereas the midst of the flame will be as if the fire had scarce touched it. This is an instance of great consequence for the discovery of the nature of flame; and sheweth manifestly, that flame burneth more violently towards the sides than in the midst.
For 'Vikings,' we have to do so much outside shooting, and it's normally - I think with American shows, it'll be 60 or 70 percent inside and a little bit outside, but with us, it's almost 70 percent outside, and that's huge and really difficult.
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