A Quote by Floyd Mayweather, Jr.
How can a guy talk about $20 or $30 million if he's never even made $8 or $9 million?
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I think, it was like 30 million dollars the Libertarians talk about that it cost them to get on the ballot. We don't have 30 million dollars. We're a people powered campaign.
Even Republicans seem to think that these undocumented Democrats could be made [GOP] voters...and what happens is that two out every three that would be legalized [and] become Democrats. And it's not 12 million. It's more like 20 million...But it isn't just the equation of 2/3 of over 20 million that will vote for the guy who opposes our conservative candidate whoever that might be, but it's also those who will leave us if we fail them...We have to go back and tie together and restore the pillars of American exceptionalism and the rule of law is essential.
When you talk about Social Security, it's not just enough to say, we're looking at you, this really matters. It's the fact that a million Americans think it matters. Oh, wait, it's 2 million Americans think it matters. No, it's 4 million Americans. It's 6 million, wait, it's 10 million, it's 50 million Americans who care about this. That's how we're going to make change.
The million, million, million ... to one chance happens once in a million, million, million ... times no matter how surprised we may be that it results in us.
We have made a commitment to feed 20-million people over the next two years. We are somewhere around 10 million. But I can promise you that we are not going to stop at 20 million. Because hunger, there is almost no cure for it. You can take care of the problem today, but it is a recurring problem.
It's either 'Saw' made for $4 million or 'Star Wars,' 'Star Trek,' 'Guardians of the Galaxy' et cetera being made for $150 million. So the $30 and $40 million films don't get made unless they're maybe 'Ride Along.' But I don't really know why. I don't get paid to know why.
Most sex scenes in Hollywood movies are so boring. It's basically a $20 million guy kissing a $7 million woman, and rolling around and semi-humping.
We have so many films that we can fit into the slate a year, and we spend $100 million on those films in order to make $400 million dollars. We don't spend $20 million in hopes of eking out $40 million.
People don't own teams to lose money. If you ask any owner whether they would rather make $20 million and come in last place or lose $20 million and win a World Series, there's only one guy who honestly would take that championship: George Steinbrenner. Nobody else.
The great enemy of creativity is fear. When we're fearful, we freeze up - like a nine-year-old who won't draw pictures, for fear everybody will laugh. Creativity has a lot to do with a willingness to take risks. Think about how children play. They run around the playground, they trip, they fall, they get up and run some more. They believe everything will be all right. They feel capable; they let go. Good businesspeople behave in a similar way: they lose $15 million, gain $20 million, lose $30 million and earn it back. If that isn't playing, I don't know what is!
I see that I can do good, I can help free political prisoners, I can raise questions that are silenced on the national level, I can talk about Navalny and others on national television channels, and show that we have 20-30 million supporters around the country.
There's a property in Panama where Trump has collected somewhere around $30 million just from selling his name to this property - it's somewhere between $30 million and $50 million. It would be so easy for a developer to slap on an extra $6 million to a Trump licensing deal and have that be a backdoor bribe. Who are we to say what that is worth? It's so ephemeral. And this is the appeal of selling something as ephemeral as a brand name, is that it can be inflated beyond all reason.
As the stars make more and more money - one person gets $12 million, $14 million, $15 million, $20 million - everyone else is expected to work for peanuts. And that includes some extraordinary actors who are, today, working for peanuts because the production companies have decided they don't need to pay these people, and they don't.
MSNBC host Lawrence O'Donnell is saying Donald Trump lied when he said he made $20 million a year off his 'Apprentice' series on NBC. NBC also denied Trump's claim, saying, 'We don't have $20 million. We're NBC.'
The truth is, the central issue is not the needs of the 11 million illegal immigrants or however many there may be - and honestly we've been hearing that number for years. It's always 11 million. Our government has no idea. It could be 3 million. It could be 30 million. They have no idea what the number is.
The marketing costs are insane now. So even if you've got a picture like 'Flipped' which cost under $14 million, or $13.5 million, you're still going to spend on an national basis, if you release with a good national release, you're still going to spend, you know, $30-$40 million.
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