A Quote by Floyd Norman
I grew up as a kid being able to attend concerts, go to art museums. Santa Barbara was a rich cultural community, and I had access to everything. I think that shaped me as an artist.
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I was a very lucky kid, because I grew up affluent Santa Barbara, California. My experience as a child was probably so different from people I met later who grew up in the rural South, where many doors were closed to them.
I think martial arts, in general, shaped my wrestling style. I think I grew up as a martial artist as a kid.
When I grew up, I grew up in the middle of nowhere. I wasn't really able to have access to people other than like, my family, so being able to just have that access to people and technology to really change the world is incredible.
The deaf community has shaped me as an artist and a person, and I am very grateful that I have been able to share and create so much art with a group of people I would have never imagined sharing and creating with. It's a true testament to the power of theater. There are no walls.
I grew up in a small town, in a small community, and I would not have had access to great plays when I was a kid were it not for the films of 'Who's Afraid of Virginia Woolf?' and 'Cat on a Hot Tin Roof.'
If an artist does not have an erotic involvement with everything that he sees, he may as well give up. To be a human being may a very messy thing, but to be an artist is something else entirely, because art is religion, art is sex, art is society. Art is everything.
As a child, as far as I was concerned, my dad had an amazing job, and we had all the money we needed. My life was so fun and carefree that I didn't realize at all that we weren't rich - until I met someone rich. Still, I've never met a rich kid who grew up as happy as I did.
I mean, I've always felt like a lot of people's misconceptions of me have to do with how I grew up. I grew up poor, and I grew up rich. I think some people who have never met me have a misconception that when I was living with my father when he was successful, that I was somehow adversely affected by his success or the money he had and was making at the time.
My parents both worked; I was a 'latchkey kid.' We were lower-middle class, and they did everything that they could to give me anything I wanted, within reason. We were not rich by any stretch of the imagination, but being an adopted kid, I think we had a different connotation. My parents tried extra hard, I think.
It is sad that it was necessary that Santa Barbara should be the example that had to bring it to the attention of the American people. What is involved is the use of our resources of the sea and of the land in a more effective way and with more concern for preserving the beauty and the natural resources that are so important to any kind of society that we want for the future. The Santa Barbara incident has frankly touched the conscience of the American people.
When I was in college, I wanted to be editor of 'Reason' when I grew up. It was an impractical ambition, especially since the magazine was located in Santa Barbara, way off any journalist's normal career path.
There is a very vibrant cultural scene in Stockholm. There are lots of places where there are concerts, and there are loads of museums and theaters.
I grew up painting and playing piano so when I was a little kid I thought I was going to be an artist or a painter but my mom had me taking piano lessons for about 10-12 years as a young kid.
I was never that kid who grew up in New York and was always at the arthouse watching important films. I was the kid who grew up in the Midwest where there weren't any art films, and I watched TV. And that was really the medium that affected me and that I fell in love with.
When you grow up, some areas of the world are out of your knowledge - especially when I grew up, in the '70s and '80s. Now, you have access to everything, but back then you did not because of the way the media was, and society imposed more directions, structures, and restrictions. It's not like art was prohibited, but art was not something that the people around me presented. So I developed it very much on my own growing up.
I grew up in a household that had its roots in church and community and culture and poetry and song and in the arts. Those aspects certainly shaped what I do.
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