A Quote by Flume

I think the thing that L.A. had on Sydney is an awesome music scene, especially for what I do. — © Flume
I think the thing that L.A. had on Sydney is an awesome music scene, especially for what I do.
Sydney: I can do a lot of things, Adrian. And—at the risk of sounding egotistical —I mean, well, I can do a lot of pretty awesome things that most people can’t." Adrian: “Don’t I know it. You can change a tire in ten minutes while speaking Greek.” Sydney: “Five minutes.
The year 1989 was crucial for me because I had just moved from the country into Sydney to play first-class cricket. That was the time I heard of a teenager called Sachin Tendulkar, who had burst on to the scene and was being annointed as successor to the great Sunil Gavaskar.
I think music changed when Bruce Springstee came on the scene. I think if it wasn't for Bruce Springstee, music would have gone in a very scary direction. We may have gotten to where disco music ruled - and I would've had to quit.
I appeared in Pankaj Udhas' 'Ahista' video purely on instinct. I had turned down everything that had come my way till then. After I heard the storyline and the fact that were shooting in Sydney, I agreed. When the song went on air, I was still in Sydney.
From Vienna with Love' will build a bridge across the globe from Vienna to Sydney, full of music, love and fun. I am really looking forward to performing with the Sydney Symphony Orchestra and fabulous guest artists who all have ties to Vienna and telling a story with music that inspired me and songs from my debut album.
I performed in Sydney some years ago for the Sydney Festival and I am just so pleased to be returning to the wonderful Sydney Opera House and also performing in Melbourne for the first time.
In Nova Scotia, there are some definite down-home accents, and it's funny because you can go to Sydney, and one guy is from North Sydney, and you can't understand a thing he's saying, or Glace Bay or wherever.
When I first came to London I thought there'd be this amazing music scene, but I was quite let down by how little was going on and how few ideas there were in music. Bands were writing songs that had no melody, and I wondered, why is that, melody is the most important thing in a song. It's the thing that sticks in your head.
Did you have an awesome time? Did you drink awesome shooters, listen to awesome music, and then just sit around and soak up each others awesomeness?
I think she's so cool, but I personally don't think I sound like Rihanna! But when I first released my music, I did get that comparison a lot. I never really thought about that, but it's a good thing. She's awesome.
I came out of an electronic music scene that based all its music on software. It was a real boys thing, a real testosterone thing - software and the relationship between music and the software - to the point where it was like a closely guarded secret.
I'm from Louisiana, and that's where I got my start, in Cajun music. There's a huge music scene down there centered around our culture. Those are people that are not making music for a living. They are making music for the fun of it. And I think that's the best way I could have been introduced to music.
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
Being from a background of dance music and what you might call club music or electronic music, I think something that gets neglected in that scene is personal vulnerability.
I think there's just so much awesome music coming out of New Zealand, I've always loved The Naked And Famous, I absolutely love Ghost Wave... it just seems like there's a really cool scene happening out there, I'd love to go and spend some time there and see what other bands are popping up.
Music's awesome, it's the closest thing we have to magic.
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