A Quote by Flying Lotus
Dilla could flip a boring record and make you feel like you were flying.
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It's not easy to sound like Dilla, but you can make beats like Dilla with your computer, so that's why everybody sounds like Dilla.
Slim Thug and Z-Ro can make a record together, and even Flip and T.I. can make a record together, but there's a difference between that and Flip and T.I. holding hands and being friends. When people say they want these records, they mean that they want us all to be friends.
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
I was sick of fast, aggressive music; I felt like I needed to make a poppy thing. But, right now, I feel like I need to make a Hawkwind/Sabbath record. It gets boring if you just do the same thing all the time.
I enjoy making music alone, and I like keeping my options open for how I release my own songs. But everybody in Grizzly Bear is full of ideas. So it's kind of boring to come to the band with a complete song and be like: "Here's what I want you to do." With this record, we wanted to make everything feel like everyone - music that we could never do on our own. That's a real gift, and it's one of the best things about being in a band like this.
I try to make music with emotion and integrity. And authenticity. You can feel when something's authentic, and you can feel when it's not: you know when someone's trying to make the club record, or trying to make the girl record, or trying to make the thug record. It's none of that. It's just my emotions.
I could give a flying flip about doing promo because, no disrespect, nobody put me in the position that I'm in.
It wasn't just like, "I want to make a record that sounds like classic rock" at all. It was more like, "I want to make a record that is a little more unsettling and maybe isn't as easily understood now." That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.
So what if Brian made me feel like fireworks were going off inside me. He could also make me feel like a big fat clod of heartsick dirt. It was like he could take any emotion I had and make it ten times stronger. Which is great when it's happiness but pretty darn awful if it's anything sad.
What I feel like - 'cause I wanna be married, of course - I feel like the type of girl I would be with is a fellow superhero. So we get that 'already flying and now we're just flying together' thing.
My dream many years ago would've been to continue to write and record songs in record/album form for years to come, but now records aren't what they were then - and so it doesn't actually feel very good to make a record of songs.
I feel that flip-flops are the downfall of many relationships. It's, like, first it's the flip-flops, and then it's the sweatpants...it's the gateway drug to no sex.
I wish there was a switch that I could flip, where no one knows me. And then, when I'm ready to make a splash, I'd flip the switch and say, 'Hey, I'm ready now.' Unfortunately, that doesn't happen.
He's gonna try and stand back, mess me about a bit, be cagey and hold on the inside and make it one of them fights that are boring. I don't wanna make a boring fight. I don't like to be involved in boring fights!
The first record was basically a quick, fast record. The second record, we were going for more of a poppier sound - like a heavy pop sound. For 'Rocket to Russia,' we'd sort of reached our pinnacle. We'd gotten really good at what we were doing, so that's like my favorite record - that's a really good record. It's just great from beginning to end.
My hope has always been that each record could have its own audience. Of course, it's awesome to have a cumulative audience for more than one record, but I like the idea that there could be a record that an individual might like.
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