Since Idi Amin was from the Sudanese section in the north of Uganda, he was darker skinned. He had more of a blue undertone. So, we did change the coloring of my skin to be closer to his. But otherwise, there were no transformations besides acting.
I think the place fed me completely. Not only was I in Uganda, but I was around many people who had a personal relationship with Idi Amin. I was eating the food constantly. I was culturally hanging out with the people. You can't help but absorb the energy, and try to get inside the culture.
His Excellency, President for Life, Field Marshal Al Hadji Doctor Idi Amin Dada, VC, DSO, MC, Lord of All the Beasts of the Earth and Fishes of the Seas and Conqueror of the British Empire in Africa in General and Uganda in Particular.
There are people [in Uganda] who hate Idi Amin, a small amount. And then there are the people who really admire him, like a hero. And then there's a large group who say, 'We know that all these murders and atrocities occurred, but he did all these great things.'
The island is in Kenya, the water is in Uganda... But the [Luos, a Kenyan ethnic group] are mad, they want to fish here but this is Uganda.
Most people in Uganda have something good to say about Amin - 'He was funny; he gave us pride to be African.'
I grew up in the church, and I went into the production of 'God Loves Uganda' intending to raise awareness of the abuse of religious power in Uganda, and after 30 public appearances, I have learned a lot about how people receive this sort of message.
I began filming 'God Loves Uganda' by first meeting some of the Ugandan and American missionaries who have helped create Uganda's evangelical movement. They were often large-hearted. They were passionate and committed.
I didn't know the extent of American obsession with Uganda until I got there and saw it. You ride in the plane and it's filled with American missionaries. Uganda is the No. 1 destination for American missionaries in the world.
I am drawn to characters so full of internal contradictions. Idi Amin was one. I loved writing him.
I'm really excited that people are receiving my performance like this. It makes me feel good, because I've been working really hard. And this character [Idi Amin], I worked particularly hard on. But I don't want to get too caught up in it, because first of all, it could lead to a great disappointment. You never know what's going to happen.
I was pretty much consumed by this character. Even when I was off, I was continually searching to find something else new about [Idi] Amin, and to embed myself deeper into the culture to the point that, in the end, I was so entrenched that I could tell what tribe someone was from just by looking at them.
I grew up in a refugee camp in Uganda, and I lived there for 30 years. That shapes one's character.
But certainly in Uganda, Mozambique and South Africa, people don't really talk about sex and certainly religious leaders - some of them - up to now have been very unwilling to accept, for instance, the promotion of condom use
I submerged myself in all the information that I could find about Idi Amin. I mean, before I left Los Angeles, I was studying Kiswahili. I was working on the dialect. I was studying every documentary and tape of him that I could find - not just visual, but also audiocassettes, even in other languages when he was speaking in other dialects.
Trying to understand, inside, what it is to be Ugandan was crucial to the character, because there are Ugandan ways of doing things that I was trying to capture. Even if I had made this movie in South Africa, it would not have been the same, because it is so specific to Uganda.