A Quote by Forest Whitaker
In a lot of films, they're showing more complete, developed characters of diverse ethnic backgrounds. The larger concern is to be able to tastefully explore the stereotypes, and still move past them to see the core of people.
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In a lot of films, they're showing more complete, developed characters of diverse ethnic backgrounds. The larger concern is to be able to tastefully explore the stereotypes, and still move past them to see the core of people.
A lot of the young people make beautiful films or big films or are able to finance them, but they can't get anyone to distribute them, they can't get anyone to see them, so they go to these thousands of film festivals. So I still believe that even though a young kid might be able to make a masterpiece or something that changes the direction of cinema, the issue of how to get it to people is still not solved.
There are more kids playing hockey, and the game has become more diverse from a cultural, ethnic and geographic point of view, but we still don't have a lot of congressmen.
Through our Building Bridges dialogues at Accenture, where we have brought together people from diverse backgrounds to have sometimes difficult conversations, such as around race, I have experienced the power of storytelling to help people from diverse backgrounds understand each other.
I think all races are represented in America much more than in many other places, but it's also nice to remind people about that ethnic mix. I would like to see more black models and women from different ethnic backgrounds, but I also think that when you are casting, you just choose the most beautiful girl you can find.
As an actor, you read so many scripts and parts written for Asian-specific characters, and you see a lot of stereotypes and a lot of one-note characters, especially in comedy.
The best innovation comes from inclusive work environments that foster diverse ideas, nurture people with diverse talent and backgrounds, and create strong relationships with diverse communities.
Something seems wrong to most people engaged in struggle when they see more people hurt on their own side than on the other side. They are used to reading this as an indication of defeat, and a complete mental readjustment is required of them. Within the new terms of struggle, victory has nothing to do with their being able to give more punishment than they take (quite the reverse); victory has nothing to do with their being able to punish the other at all; it has to do simply with being able, finally, to make the other move... Vengeance is not the point; change is.
I try to widen the horizons of every child I meet, and part of that is promoting diverse forms, be it graphic novels, stories told in a narrative voice, or more translated books, as well as more diverse writers and more diverse characters.
Our society is driven today by so much ethnic discord. We have Black Lives Matter, which I praise and celebrate. We have the demagogues stereotyping Muslims and resurrecting racist stereotypes they used to visit on us. The larger goal is to show that we are all the same, we all come from Africa, and we all have the same larger family tree. It's about the fundamental unity of the human community.
Through playing so many shows now outside of Japan, what I realize the most is that there is a very diverse fan base that comes to our shows. Sometimes you see older people, younger people, kids, female, male, a lot of different demographics, people from different backgrounds as well.
In terms of showing their emotions and acting on them, my women characters are a lot more advanced than the men.
I'd like to see more Canadians of diverse backgrounds engaging with parties that line up with their convictions and ideologies to make sure that no party gets to run against Muslim Canadians or any other group of Canadians and demonize them.
I want to see more people of different backgrounds being cast in films. I want to see people from inner cities being discovered, because that's where you find some really brilliant artists.
The characters I'm most emotionally involved with are like friends you leave behind when you move away. You don't see them regularly anymore, but you still love them and keep in touch.
I have always liked kind of outsider characters. In the movies I grew up liking, you had more complicated characters. I don't mean that in a way that makes us better or anything. I just seem to like characters who don't really fit into. You always hear that from the studio: "You have to be able to root for them, they have to be likeable, and the audience has to be able to see themselves in the characters." I feel that's not necessarily true. As long as the character has some type of goal or outlook on the world, or perspective, you can follow that story.
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