A Quote by Forest Whitaker
I submerged myself in all the information that I could find about Idi Amin. I mean, before I left Los Angeles, I was studying Kiswahili. I was working on the dialect. I was studying every documentary and tape of him that I could find - not just visual, but also audiocassettes, even in other languages when he was speaking in other dialects.
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I started by studying Kiswahili to learn the dialect. Then, I studied tapes, documentaries, footage, and audio cassettes of Idi Amin's speeches. And I met with his brothers, his sisters, his ministers, his generals' all kinds of people, in order to try to understand him.
I was pretty much consumed by this character. Even when I was off, I was continually searching to find something else new about [Idi] Amin, and to embed myself deeper into the culture to the point that, in the end, I was so entrenched that I could tell what tribe someone was from just by looking at them.
I'm capable of just putting my butt in a chair and spending nine hours a day studying poker. I took it as a full time job. So I think that it's a combination of being lucky, but also really studying, working hard and pushing myself to do everything I could.
I was trying to capture this man's [Idi Amin] energy, and I did a lot of research in studying him. I tried to capture his 'Warrior King' energy inside of me as much as possible.
Kerry was here in Los Angeles. He was courting the Spanish vote by speaking Spanish. And he showed people he could be boring in two languages.
I certainly don' think I could've played the character [Idi Amin] the same way without being in Uganda. I loved working in Uganda.
I mean, if I went into my closet, I could find a previous draft and try to figure that out, but it takes a long time for me to find the voice to tell a story in. I was working from other points of view for a couple years there.
But his Lordship [tells]us that God is wholly here, and wholly there, and wholly every where; because he has no parts. I cannot comprehend nor conceive this. For methinks it implies also that the whole world is also in the whole God, and in every part of God. Norcan I find anything of this in the Scripture. If I could find it there, I could believe it; and if I could find it in the public doctrine of the Church, I could easily abstain from contradicting it.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
I have about 1,000 hours of myself on tape in a vault in Los Angeles. But I also have a photographic memory about my jokes, because they're really about me; they're my stories.
God, I loved him. I could insist I was okay with just being friends, that I'd find someone else and get over him, but I was fooling myself. There was no getting past this. I loved him, and fifty years from now we could be married to other people, never exchanged so much as a kiss, and I'd still looking into his eyes and know he was the one. He'd always be the one.
We had put our son into a little preschool in Los Angeles, and it was just not going well, so we brought him back home. We had every intention of putting him back into a traditional school setting, but we just really couldn't find the right match for him. And then we moved to Georgia and again couldn't find the right match.
I didn't study no rappers when I was coming up. I was studying moguls. I was studying Jay Z. I was studying Puff. I was studying Master P.
A work can do many things at once, and it doesn't have to be just about the world, it could also be about photography, it could be about perception, it could be an exploration of the medium. It could be a document, it could be a visual poetry, and it could be a formal exploration all at the same time.
An important United Nations environmental conference went past 6:00 in the evening when the interpreters' contracted working conditions said they could leave. They left, abandoning the delegates unable to talk to each other in their native languages. The French head of the committee, who had insisted on speaking only in French throughout the week suddenly demonstrated the ability to speak excellent English with English-speaking delegates.
Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way--through the senses, theoretically, technically. I would talk to Monk about musical problems, and he would sit at the piano and show me the answers just by playing them. I could watch him play and find out the things I wanted to know. Also, I could see a lot of things that I didn't know about at all.
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