A Quote by Forest Whitaker
I was asked if I would play President Obama in 'My Name is Khan.' I didn't feel comfortable with doing it. Partly because he was still in office, but mainly because I felt that there were other people who were better suited to doing the role.
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If someone else was in the room, I wouldn't feel comfortable doing what I wanted to do. I would try to play something that the other person or people would love or would like, at least. Nothing was true because I was not playing what I wanted, and they were not listening to anything that was coming from anywhere true.
When we were doing a scene, lots of times we would collapse giggling, because it seemed so silly because it felt like we were doing a home movie at times.
When we were doing a scene, lots of times we would collapse giggling because it seemed so silly because it felt like we were doing a home movie at times.
But in the meantime I became accustomed to the writing life and it would be hard to change now - partly because of the salary cut if I went to my other love, teaching; and partly because I still have stories to tell, even though it isn't all that fun doing the work anymore.
I think a lot of games in Oakland were just time being wasted, for a lack of a better phrase. I felt like I would play in some games that were four quarters, just like every other game, but it didn't feel like I was doing anything. It just felt like I was out there.
I don't feel comfortable with the idea that my only gateway into doing what I love to do is auditioning for other people to give me the green light and say that I'm allowed to do it, or that I'm allowed to play this role, or that I'm allowed to be in this movie. I would feel much more comfortable making those opportunities for myself.
There were people who voted for Obama simply because he was the first African-American. We had a lot of people that would not have voted for Obama but who did because they really hoped that the nation, making the statement electing an African-American president, would prove once and for all that this is not a racist nation. I believe that there were all kinds of people that voted for Obama with that hope. That was the reason. Everything else was irrelevant to them.
We decided to play the NEC because we were asked to, and because we actually rather like the place: we've always enjoyed doing it before. We don't often get sensible offers to play in the UK, so most years we just play on the mainland, with the occasional exotic detour.
Billie Joe Armstrong of Green Day always says we were influences on him, because he does melodic but distorted, like what we were doing. The Ramones were doing it. We were doing it. The Buzzcocks, all those bands.
I liked doing comedies, but as I got older I was better suited to do Westerns. Because I think it becomes unattractive for an older fellow trying to look young, falling in love with attractive girls in those kinds of situations... Anyway, I always felt so much more comfortable in the Western.
If Id lived prior to the 1980s, it would have been different, because I would have been playing to prove African Americans are equal. Now, I dont necessarily feel I have to play for black people, because obviously theyre doing everything in all sports. If I can go out there and play for myself and not feel I have to stand for something other than what I want to do, thats good.
To all of us who have been charged, we all agree that we don't feel like we were doing things that we weren't supposed to, because we were told to do them. We think everything was justified, because we were instructed to do this and to do that.
I would imagine after the first recording session with Jerry Leiber and Mike Stoller and Atlantic Records I began to realize that this is going to be like this for the rest of my life and I knew that what, what they were doing was going to be successful because with each session that we would do, it would get better and better and better, the songs would become better, the, ah, the feeling of success was there and we were all in the middle of that as well.
That was very flattering, meeting Steve Vai and hearing his stuff, because he was kind of a fan, even though we kind of dumbed down what he was doing and what people were doing in the '80s. We weren't doing solos; we were doing sounds and all this creepy, trippy stuff.
I was lucky I went to school in London because the tutors could see what to do. I knew I wanted to do something different. Why would I want to do what other people were already doing, because they would always do it better? I always wanted to work around the body. So throughout my college years, my work was quite free.
When we were younger we were so confident. Then when we got flung into the industry we began to get self-conscious and started criticising ourselves because other people were doing it.
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