A Quote by Forest Whitaker
Look - I'm an African-American. I'm black. But I'm just looking at the character and trying to find his soul, his energy. If you can wipe away the blanket of skin and flesh that people tend to see, and look inside for the essence of the soul, then that's the work I'm doing. That's the work I always do.
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The irony of conversing with a stranger is that your individual lives always look very different and personal, but then you strip away the nuances to find a common likeness buried inside of diversity. Take away money and geography and we’re all just flesh and blood and soul. We’re all dealing with sin and forgiveness, love and hate, glory and shame.
Very slowly he turned his head back to look at Shmuel, who wasn't crying anymore, merely staring at the floor and looking as if he was trying to convince his soul not to live inside his tiny body anymore, but to slip away and sail to the door and rise up into the sky, gliding through the clouds until it was very far away.'' -The Boy in the Striped Pajamas
Look inside my soul and you can find gold and maybe get rich. Look inside of your soul and you can find out it never exists.
When you graduate is when you start to find yourself looking at the information in the audition breakdown and it says tall black African - or African-American built such and such. And you start seeing these character descriptions and seeing that, oh, you're only going in for the ones that are described as your look.
When I am asked about influences, I always say I bow down to Fred Astaire, because when you look at him dancing you never look at his extremities, do you? You look at his centre. What you never see is the hours of work that went into the routines, you just see the breathtaking spirit and freedom.
There are two devices which can help the sculptor to judge his work: one is not to see it for a while. The other... is to look at his work through spectacles which will change its color and magnify or diminish it, so as to disguise it somehow to his eye, and make it look as though it were the work of another.
after all the work of the philosophers on his soul and the doctors on his body, what can we really say we know about a man? That he is, when all is said and done, just a passage for liquids and solids, a pipe of flesh.
Have you ever been anyone's?" I ask, a feathery whisper in the quiet bedroom. He lifts his head to mine, and I want him so bad I feel consumed inside, like he's already possessed my soul, and now my soul aches for him to possess my body. A powerful emotion tightens his features as he reaches out to cradle my cheek in his big hand, and there's an unexpected fierceness in his eyes, in his touch, as he cups me. "No. And you?" The calluses in his palm rasp on my skin, and I find myself tucking my cheek deeper into them. "I've never wanted to." "Neither have I." The moment is intimate.
A person who can look inside into his soul sees then with his vision one and all standing outside around in support to him that they are only as truthful and trustworthy to him as he to all others.
As I look over my work, I mean every time I look over my early work, I see, yes, I could do that then and then I could do that and that... That may be the hardest thing for a writer, at least for a poet, to tell what the identity of his work is.
But this is predicated upon the man's becoming in very fact an American and nothing but an American. If he tries to keep segregated with men of his own origin and separated from the rest of America, then he isn't doing his part as an American. There can be no divided allegiance here. . . We have room for but one language here, and that is the English language, for we intend to see that the crucible turns our people out as Americans, of American nationality, and not as dwellers in a polyglot boarding-house; and we have room for but one soul loyalty, and that is loyalty to the American people.
My son, there is no rest for me. That which Sri Ramakrishna called "Kali" took possession of my body and soul three or four days before his passing away. That makes me work and work and never lets me keep still or look to my personal comfort.
Arise! Arise! A tidal wave is coming! Onward! Men and women, down to the Chandala (Pariah) - all are pure in his eyes. Onward! Onward! There is no time to care for name, or fame, or Mukti, or Bhakti! We shall look to these some other time. Now in this life let us infinitely spread his lofty character, his sublime life, his infinite soul. This is the only work - there is nothing else to do.
Kevin Feige and I have very smart people who work for us, who make sure that we see everything. And that we actually see everything. They see everything, tell us about it, we see it. You have to have people who work with you, who say 'you have to look at this film'. And then you look at it. You really have to look at it. You have to look at movies all the time.
Now I don't want to take roles just for money. It's like trying on the right dress. When you go shopping for a dress, you can try to make something work 'cause you can't find the right one, but you always have that memory of the time you put on the perfect dress and you were like, "Oh, my god, I love myself in this dress! I'm excited to go out and have people see me in this!" That's the way that I'm looking at the roles that I want to do. I'm not looking for anything specific, except for something that has heart, and that I will enjoy doing that feeds my soul.
Soul Alone by Hannah Baker I meet your eyes you don't even see me You hardly respond when I whisper hello Could be my soul mate two kindred spirits Maybe we're not I guess we'll never know My own mother you carried me in you Now you see nothing but what I wear People ask you how I'm doing You smile and nod don't let it end there Put me underneath God's sky and know me don't just see me with your eyes Take away this mask of flesh and bone and See me for my soul alone
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