A Quote by Fortune Feimster
I worked with the Groundlings, doing sketch comedy and improv at a theater here in L.A. It was my hobby, but I took classes and stayed passionate about it because it's what I wanted to do. It just fit. It takes a while before you can actually make money at it. I worked for years.
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When I decided I wanted to be an actor in high school, I really went into improv. I took classes at The Groundlings. I studied acting. Did sketch comedy in L.A.
I took classes and performed and did improv and sketch and wrote sketches and did lights and sound for other people's shows just so I could be around the theater. That was about seven nights a week for seven years.
Many of the people I've worked with over the years came from a sketch-comedy background or an improv background, and I've learned a lot from them.
I'm a goofball, so I think comedy is one of my stronger points, as an actor. I just never get to do it. But, I'm taking classes at Groundlings, where Will Ferrell and Lisa Kudrow studied, and it's all improv comedy. It feels good to be able to do that and be funny.
I worked in a chicken factory, in a steel foundry, I worked on the bins for a year or so. It started as a summer job, but I stayed on because I liked it very much. I liked it that it made you very fit, doing all the lifting and that, so I could wear short-sleeved t-shirts, which I'd never been able to do before!
My first improv was Second City in Chicago. Before that, I worked at - with a partner, doing comedy sketches.
We started off in improv and sketch comedy, and with improv the most important thing is to listen and make sure you're not stepping over someone, so we've been trained for such a long time doing that.
I have always been doing sketch comedy since I was a kid because one of my mom's boyfriends was an improv comedy guy so were doing skits all the time growing up.
Well, actually, the Second City thing came about because I was taking a few improv classes there. I thought that the improv classes would help with my wrestling career, which it has.
I always loved acting and improv and sketch comedy and theater, which I did at a local youth theater.
I worked as an assistant editor, actually, for a few years. That was right when I was just starting to get out at night and do a lot of stand-up, improv, and sketch work in New York. It really is invaluable. I think it pounded into me an awareness of what an editor wants and needs, in terms of clarity of a moment, where and when to start and stop a line.
I was not one of those people who wanted to be a comedian when I was growing up. I liked comedy, but didn't know it was something you could do for a living. I actually wanted to be an attorney. I did do things on the side like improv and sketch comedy, but law was my focus. I was a very bookish, academic kid. When I got out of college, I was really unhappy. I had a great job that I should have loved, yet I was miserable. I slowly realized that was because I wasn't performing. So I just tried stand-up and fell in love with it after one performance.
I would say I've actually done a lot more comedy than I've done drama. It's weird the way that worked out, because when I came out of theater school I took myself way too seriously, so it's kind of ironic that I ended up sort of going down the comedy path.
When we started doing sketch comedy - actually in '91 in Chicago - making your own videos, which we did, took forever. It would take like, a year to make one video. It was just so difficult to edit and just do everything you had to do.
There was no Groundlings or Upright Citizens Brigade where I was from. Looking back on it, I was trying to do sketch comedy in my stand-up, which is still kind of what I am doing now. To go full-circle here, it's kind of like one-man sketch.
I've trained primarily in Meisner Technique, and I've done a little bit of Groundlings and Upright Citizens Brigade just to get my feet wet in the improv world because I think that's really important. But most of the teachers I've worked with, I've gotten, like, references through agents or managers, and they're sort of independent.
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