A Quote by Fran Drescher

Illness is the great equalizer. It doesn't matter who you are, rich or poor, young or old, fat or thin, sick is sick. — © Fran Drescher
Illness is the great equalizer. It doesn't matter who you are, rich or poor, young or old, fat or thin, sick is sick.
It doesn't matter how rich or poor you are: when you're sick, you want the exact same thing.
You may be pretty or plain, heavy or thin, gay or straight, poor or rich. But remember this: In an election, every voice is equally powerful -- don't underestimate your vote. Voting is the great equalizer.
I saw rich beggars and poor beggars, proud beggars and humble beggars, fat beggars and thin beggars, healthy beggars and sick beggars, whole beggars and crippled beggars, wise beggars and stupid beggars. I saw amateur beggars and professional beggars. A professional beggar is a beggar who begs for a living.
I like fat girls. A woman can never be too poor or too fat. I'd take a poor fat girl over a rich thin girl like Kate Moss.
There was no sign of Jules. “Bad news,” said Elliot. “The man is sick. You’re going to have to settle for me.” “Sick?” Vee demanded. “How sick? What kind of excuse is sick?” “Sick as in it’s coming out both ends.” Vee scrunched her nose. “Too much information.
Hospitals are only an intermediate stage of civilization, never intended ... to take in the whole sick population. May we hope that the day will come ... when every poor sick person will have the opportunity of a share in a district sick-nurse at home.
As a child, I had a serious illness that lasted for two years or more. I have vague recollections of this illness and of my being carried about a great deal. I was known as the 'sick one.' Whether this illness gave me a twist away from ordinary paths, I don't know; but it is possible.
Many young girls are ... becoming trained nurses, whose gentle ministrations in the sick-room, skilled touch, patient watchfulness and unwearied vigils, are as great factors in the care of the sick, as are the professional physicians.
I was sick all the time, one exotic illness after another, which lasted throughout my twenties. My worst decade. But from the day the first book was accepted, I never got sick again. Writing changed my life.
The theater is a great equalizer: it is the only place where the poor can look down on the rich.
I was just sick of being fat, you know? You get sick of it. It just really, it's a tiring lifestyle to have.
If you look at it on just a very cold scale, corporations and the government do not care about the poor. So in what's considered a poor area, you got to look at things. What's going on there? The actual environment is sick, and sickly, and causes illness.
A poverty learned with the humble, the poor, the sick and all those who are on the existential outskirts of life. A theoretical poverty is no use to us. Poverty is learned by touching the flesh of the poor Christ, in the humble, in the poor, in the sick and in children.
I'm on the rise and whatnot, but I'm not the man to say, 'All right, world, here's grime.' It's gonna take me, Skepta, JME, Novelist and Lethal Bizzle, to say, 'I'm sick, he's sick, he's sick, he's sick'. Not one man can do it.
I'm an agnosto-theist. I cross myself on airplanes. I pray when I'm sick. When you're sick I'll keep you in my thoughts; when I'm sick, I'm entreating a higher power.
I had a very down-to-earth product, my wrap dress, which was really a uniform. It was just a simple little cotton-jersey dress that everybody loved and everybody wore. That one dress sold about 3 or 4 million. I would see 20, 30 dresses walking down one block. All sorts of different women. It felt very good. Young and old, and fat and thin, and poor and rich.
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