A Quote by Fran Kirby

A lot of people recognise me now, especially the younger generations, definitely. But it's not that common. — © Fran Kirby
A lot of people recognise me now, especially the younger generations, definitely. But it's not that common.
Well, I think people don't recognise my face because I'm so much older now, but it is astonishing that people can recognise a voice. I do sometimes get recognised, and indeed a lot of people do come and see me.
I was terrified of growing up to become the anti-me, maturing into a woman whom I would not recognise and who wouldn't recognise her younger self.
When I was younger, definitely getting people to listen to me and believe in me. I think it's hard when you're a young girl in a record label full of male urban artists, which is definitely what Atlantic Records was and still is. Also, getting people to trust a young, female pop star that doesn't just want to be puppeteered was definitely a challenge for me.
Definitely the life and the camaraderie with the other players is something I appreciate a lot more now. I was very shy when I was younger and didn't always enjoy the lifestyle.
I definitely have managed to overcome dyslexia now to become a fully functional human being but things were a lot more difficult when I was younger.
My glasses say a lot about me because I think me in a pair of sunglasses is an image that a lot of people would recognise.
Sampling has definitely introduced the music to younger generations - helped the music evolve and kept it relevant.
I have had a few people recognise me in public. But I wouldn't like everybody to recognise me. I can still walk across the street and not be noticed.
I'd like to have younger people around me and that I'll be involved with them a lot more now, as opposed to me being the main focal point.
Every writer owes something to a particular tradition he/she grew up in. But no serious writer - other than the militantly nationalist ones - would reduce his/her domain of influence to a single tradition. Furthermore, historical breaks are so common and large in Europe that there are ruptures in every tradition which then connect the same generations across national borders. Younger Eastern European writers, for instance, have more in common with other writers of the same age in Europe, than with the previous, communist-era generations in their own countries.
I am not a known face and a lot of people wouldn't recognise me if I walked into a room. But that's okay with me. I want people to recognize me through my work.
Older generations are living proof that younger generations can survive their lunacy.
It is due to wrestling that people now know and recognise me.
It makes me happy that people recognise me and want to click pictures with me. But sometimes, I want to be a common person. I want to go to a coffee shop and just chill. I miss driving my car with the windows rolled down.
It makes me happy that people recognise me and want to click pictures with me. But sometimes, I want to be a common person. I want to go to a coffee shop and just chill. I miss driving my car with the windows rolled down.
When I first started playing, I definitely had a younger scum-punk crowd, but as my music developed more and after I started playing electric guitar - you'd think it would be opposite - but a lot of people were like, "You've changed." And I have more of an older audience now.
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