A Quote by Fran Lebowitz
Writers have problems writing sex scenes, because writing one really well is pornography.
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I have even taught classes on writing about sex, and I've looked closely at different writers' sex scenes. On the level of craft I've given it a lot of thought. The pitfalls are simple: It can sound clinical or medical, which isn't right, or pornographic, because the characters disappear.
The very dull truth is that writing love scenes is the same as writing other scenes - your job is to be fully engaged in the character's experience. What does this mean to them? How are they changed by it, or not? I remember being a little nervous, as I am when writing any high-stakes, intense scene (death, sex, grief, joy).
I think all writers are mainly writing for themselves because I believe that most writers are writing based on a need to write. But at the same time, I feel that writers are, of course, writing for their readers, too.
Nobody told all the new e-mail writers that the essence of writing is rewriting. Just because they are writing with ease and enjoyment doesn't mean they are writing well.
I'd really like to see smart sex writing, writing that can take sex apart and try to put it back together, that doesn't just put a box around "sex writing" and give it glaring neon lights but assumes that sex is part of everything else in our lives.
When I'm writing, I'm writing for a particular actor. When a lot of writers are writing, they're writing an idea. So they're not really writing in a specific voice.
I'm really bad writing the chase scenes or fighting scenes. I'm much better for writing, like, a more melancholic or tragic music.
When I first started writing, there was no way I'd write a sex scene. That just seemed impossible. That's why in "Fight Club" all the sex happens off-screen. It's all just a noise on the other side of the wall or the ceiling. I just couldn't bring to write in a scene like that. So one of the challenges with "Choke" was I wanted to write sex scenes until I was really comfortable just writing them in a very mechanical way.
I often wonder if all the writers who are alcoholics drink a lot because they aren't writing. It is not because they are writers that they are drinking, but because they are writers who are not writing.
I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
My preference is for good writing. It doesn't matter if it's for film or TV. Whatever. It starts with the writing. Even though I've had problems with writers, it doesn't matter how great of an actor you are. If the writing is bad, you're going to struggle.
I have a hard time writing. Most writers have a hard time writing. I have a harder time than most because I'm lazier than most. [...] The other problem I have is fear of writing. The act of writing puts you in confrontation with yourself, which is why I think writers assiduously avoid writing. [...] Not writing is more of a psychological problem than a writing problem. All the time I'm not writing I feel like a criminal. [...] It's horrible to feel felonious every second of the day. Especially when it goes on for years. It's much more relaxing actually to work.
I don't think I would ever write a book with what anybody could call pornography in it, because I feel that pornography is a cheat. It is an attempt to provide sexual experience by secondhand means. Now sex is a thing which has to be experienced firsthand, if you are really going to understand it, and pornography is rather like trying to find out about a Beethoven symphony by having somebody tell you about it and perhaps hum a few bars. It's not the same thing. Sex is primarily a question of relationships. Pornography is a do-it-yourself kit--a twenty-second best.
I enjoy writing, sometimes; I think that most writers will tell you about the agony of writing more than the joy of writing, but writing is what I was meant to do.
Distractions have never prevented a Writing Writer Who Writes from writing; distractions are an excuse proffered by Non-Writing Non-Writers Who are Not-Writing for why they are not writing.
Teaching and writing, really, they support and nourish each other, and they foster good thinking. Because when you show up in the classroom, you may have on the mantle of authority, but in fact, you're just a writer helping other writers think through their problems. Your experience with the problems you've tried to solve comes into play in how you try to teach them to solve their problems.
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