A Quote by Frances Bean Cobain

The grunge scene is not what I'm interested in. — © Frances Bean Cobain
The grunge scene is not what I'm interested in.
Doolittle was a major influence on the Seattle grunge scene, which emerged in the early 1990s.
As far as the grunge thing, there are three bands from Seattle that I would call true grunge.
I thought the grunge scene was cool. This is going to sound weird, but I remember doing a concert at a tavern in the mid-'80s with Nirvana.
I got introduced to the rave scene in 1992. At the time I was into skateboarding; I listened to a little hip-hop but was mainly into heavy metal and grunge.
Certain things can't be approximated, so I'm always interested in getting in another way, one which makes the reader bend in closer to the scene even if that scene, especially if that scene, is painful... Brutal language isn't necessarily the most truthful way of describing a brutal moment.
Exactly you had to dress in flannel, and if you were a grunge band, before the grunge thing took off and you said you were METAL.
It's like, what happened, I was always leading fashion, and then the grunge thing kind of came along. And because I've been so on top in the '80s you know, I, you know, what can I do? Suddenly go grunge?
What people don't realize is that the so-called Seattle grunge scene grew out of several close-knit gourmet supper clubs - we would only pick up guitars to pass the time while our dishes were simmering, baking, boiling, etc.
Every place has its own punk flavor, but they all borrowed ideas from SoCal. It's still a vibrant scene creeping into every crevasse of youth culture. When you hear grunge, you think of the '90s, but when you hear L.A. punk, it's timeless.
Grunge was so self-consciously lowbrow and nonaspirational that it seemed, at first, impervious to the hype and glamour normally applied swiftly to any emerging trend. But sure enough, grunge anthems found their way onto the soundtracks of television commercials, and Dodge Neons were hawked by kids in flannel shirts saying, 'Whatever.'
I think sex is very interesting for most people, but I'm interested in sex as a way of communication, I'm not that interested in the fantasy version of a sex scene.
I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.
I agree with you about the music of today. It lacks style and emotion. I can't relate to it either, as for grunge music, well that was the death kneel for a lot of the glam metal hair bands of the 80's, so I really do not care for grunge. I miss the 80's as well, it was a truly great decade for music.
have a much harder time writing stories than novels. I need the expansiveness of a novel and the propulsive energy it provides. When I think about scene - and when I teach scene writing - I'm thinking about questions. What questions are raised by a scene? What questions are answered? What questions persist from scene to scene to scene?
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
I was only interested in my scene, and I had to go through thousands and thousands of other scenes. I got my scene and I read it many, many, many, many, many times. That was my research.
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