A Quote by Frances Conroy

It's actually meditative to sit in a character for an extended period of time, realizing what your relationship is to who you're playing and then letting go, just being there.
You're just playing, playing, playing, and then an image or something will come into your mind, and basically you're just narrating it with music, letting it move along.
I never like to sit and discuss my character, the other character, our relationship, or anything like that. I feel like if I did my job and I trust that the other person has done theirs, you just go on set, play around with it, chew the scene for a little bit; then we roll, and that's it.
Some things just have a short, beautiful life, and some things have a longer one. One hopes that the things that go a long time are things that you love. It's like a relationship. The longer things go, you have to really work on that relationship with your character, with your castmates, the crew your working for, the producers, and the writers.
It's an interesting opportunity to do a long-form character and really have the time to find the nuance over an extended period of time. You can really dig deep.
I have a hard time with musicians who act like pricks because it just makes me mad. I just sit there and I go, 'You know what, dude, no matter whether you're in a band just surviving or you're in a bus playing stadiums, one way or another, you're still among the rare breed of people that are actually getting paid to do it.'
I have just instructed Laxmi to make a small temple for smoking here in the ashram. But you have to go very alert, aware, meditative! If you can smoke meditatively, it is perfectly beautiful. If it stops by being meditative, that too is perfectly beautiful. Life is sacred.
Anyone who's been in the WWE for an extended period of time has to be able to do different things. Eventually, a character gimmick is going to get old and stale. And, when it does, if that's all you can do, you're done.
I was kind of scared at first to do that [vice-over] because when you're on set, a lot of the things going on around you - the environment and playing off other actors - and that's what makes it easier and helps you to be in your character. So, realizing you're not going to have that and you're going to be secluded in this booth, it's like, "How am I going to be a character when I'm just in these walls?"
It's not very exciting to go to work to just have your character's identity being defined by her relationship with her male counterparts.
I spend a lot of time thinking about this business of letting go - letting go of the children God gives to us for such a brief time before they go off on their own; letting go of old homes, old friends, old places and old dreams.
Period dramas have their own challenges. One must work hard to ensure that you don't just embrace the character you are playing, you also have to understand the smaller nuances of the period to deliver an authentic experience.
I like it all. I love getting inside of people's heads and playing what drives people and what makes them do what they do. That's always been what's most interesting to me about being an actor. The analyzing of what's happening, but even more so, just letting it all go and playing is fun. I love just seeing what comes out of you.
You have to be very productive in order to become excellent. You have to go through a poor period and a mediocre period, and then you move into your excellent period. It may be very well be that some of you have done quite a bit of writing already. You maybe ready to move into your good period and your excellent period. But you shouldn't be surprised if it becomes a very long process.
Being a wrestler, it can get rough in terms of your mindset, just having that mentality embedded in you where you just wanna go, go, go, 100 miles per hour, always redlining your body and never actually taking the time out to let your body recover the right way. As I got older, I started to realized that less sometimes is more.
The creative process requires a period of boredom, of being stuck. That's actually a very uncomfortable period that a lot of people mistake for writer's block, but it's actually just part one of a long process.
I used to catch and take a big dip down and then finally I'd try to shoot. That first year playing the NBA, I was realizing how little time you have to shoot the ball. The time you have from when you catch it to the guy closing out is just a split second. So I had to figure out a way to get my shot off quicker. Then it was just repetition.
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